Manuscript Makeover offered at Super Mini-conference

While MWW is working hard on its newly-minted nonprofit governance and its board recruitment (read our statement here), we’re also keeping in mind our mission to help writers reach their writing goals. This Craft + Community “Super Mini” is a dynamic day-and-a-half with a decidedly different structure-shorter, smaller, less expensive, and designed for writers of every level in their careers.

It offers eight in-depth, hands-on interactive, small class size sessions taught by experienced, accomplished, and professional faculty. One faculty member is Holly Miller. We caught up with Holly this week and asked her for a preview of her “Manuscript Makeover” class. Read portions of our conversation below…
 
Author-editor Holly Miller says that books are a lot like airplanes–they’re most vulnerable to crashes during takeoff and landing. Her explanation: A story needs powerful opening pages (takeoff) and a satisfying final chapter (landing) if it’s going to convince agents, editors and readers to come along for the ride. Holly’s Manuscript Makeover class at the Super Mini-conference will focus on beginnings, endings, and everything in between. With 14 books and 2,500 magazine articles to her credit, Holly knows how to help authors chart a course that will get them closer to their anticipated destination: publication.

You call your morning workshop “Manuscript Makeover,” but is it really possible to redo a manuscript in three and a half hours?

At the beginning of the session I always promise participants that they’re going to know a lot more at noon than they do at 8:30 when we start the class. It’s my job to deliver on that promise. Everything that happens in those three and a half hours will relate to the manuscripts that they sent me–no generic lectures, I promise! My goal is that they’ll have enough feedback to know exactly the next steps they need to take to move their manuscripts a notch or two closer to publication. In addition to the time we have together as a class, I’m going to meet with each writer one-on-one for 15 minutes in the afternoon to go over their pages line by line.

Do writers need to have a completed book manuscript to benefit from Manuscript Makeover?

No, all they need are a one-page synopsis and their book’s opening 10 pages. To succeed in today’s publishing world, a writer has to have two things: A compelling story to tell and the ability to tell it well. The synopsis addresses the first, and the sample pages show the second. Some writers come to Manuscript Makeover with only an idea and a rough draft of the first chapter. They want to know if they should keep writing. Others have finished their books and wonder what the next step is. Then there are the writers who have tried to market their books but with no success. They want to know where they fell short and how to fix the problem.

Why do you limit the class size to 15 writers?

For a couple of reasons. First, I want to encourage a sense of community. After all, we’re all writers even though we may be at different stages of development. Second–and this is personal–the class is really labor-intensive for me as the facilitator. I like to read each manuscript several times, adding notes, making suggestions and editing as I go. I build the class from scratch each time I teach it. I’ve found that 15 is the perfect number.

You open the class to novelists and nonfiction writers. Why not specify one or the other?

Typically the class attracts more novelists than nonfiction authors, even though nonfiction is easier to sell these days. Regardless of the genre we choose–mystery, memoir, romance, biography, thriller, personal experience, etc.–we’re all storytellers. We have to know how to grab and hold readers’ attention, how to build tension, create dialogue and weave in backstory. Those components need to be in every story we tell.

As a teacher, what is your greatest challenge when you face a room full of writers with various skills, interests and needs?

My biggest challenge is to keep them motivated after the workshop is over. Too often they leave with good intentions, but then they get sidetracked by obligations at work or at home. Their manuscripts suddenly occupy the back burner. So, this year I’m going to try something new. The writers in my class will have the opportunity to book a half hour of my time for some time in the fall. There will be a modest fee, and not every writer will want or need to take advantage of the offer. If they do, they can choose when and how to use the time. They might decide to send me a few revised pages, or we can talk via phone about problems they’ve encountered since the July workshop. The important thing is to keep up the momentum…to keep on keeping on. As I said earlier, you need two things to succeed as a writer–a good story to tell and the ability to tell it well. But there’s a third requirement, and that’s perseverance.

Register here for Manuscript Makeover.
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To review the full schedule for the Super Mini-conference, read here.
To review the faculty bios, read here.

MWW Super Mini-conference, July 27-28

MWW Super Mini-conference — July 27-28 at the Ball State Alumni Center, Muncie, Indiana. Friday 8:30 am through Saturday 12:30 pm.  A dynamic day-and-a-half with a decidedly different structure—shorter, smaller, less expensive, with a strong emphasis on helping you reach your writing goals.

This MWW Craft + Community super mini is designed for writers of every level in their careers.

Whether you’re a published author or a novice exploring writing for the first time, you’ll find your place here, among teachers and fellow writers in a small group environment. It’s time to grow your network and nurture your identity as a writer. We have mentors to help.

Press the reset button.

At MWW Craft + Community, you’ll experience a day and a half—long enough to get away and refocus your energy on your writing, yet short enough to accommodate your busy schedule. Come enjoy the camaraderie and receive useful guidance!

This “super mini” offers eight in-depth, hands-on interactive, small class size sessions taught by experienced, accomplished, and professional faculty:

  • Holly Miller: Manuscript Makeover
  • Matthew Clemens: Developmental Editing
  • Brent Bill: Writing from the Heart: Soulful Creativity
  • Lou Harry: Nonfiction, Writing About Everything
  • Larry D. Sweazy – Fiction, Writing Your First Novel
  • Barbara Shoup – Think Like a Teenager
  • Lucrecia Guerrero – From Where You Dream
  • Maurice Broaddus – World Building: How to Out-Imagine Your Reader

Our programming focuses on key areas such as craft improvement, genre knowledge, finding critique partners, and forming writing support groups to help improve your writing. Get feedback from experts and friendly peers. Sharing your work and reading your work will allow you to pinpoint sagging plot lines, breaks in character and more. The give-and-take, along with honest feedback, is a win for all.

We’ll have fun activities to help you find a writing community. Writing is a solitary act, a leap of faith in which we work to bring the ideas in our head, our own experiences, our research and our true and imaginary tales to life on the page. Because we labor alone, we need a community of honest supporters who can help us to see what works in our stories and what doesn’t.

MWW Craft + Community wants to give you that community. You’ll return home with new skills and insight into your writing. You’ll return home with new writing friends.

And there’s a space waiting for you.

Secure your spot today.

Cost: $199

REGISTER

[For a statement from our board, read here.]

Writing from the Heart: Soulful Creativity with J. Brent Bill

Online courses provide great opportunities for everyone who wants to learn something. From the comfort of your home, or even the comfort of your jammies, you can learn on your own time schedule and participate in classes that will help take your writing to the next level.
Our newest MWW Ongoing course is Writing from the Heart: Soulful Creativity taught by J. Brent Bill. The course starts March 26 and will be available through July.

Who This Course Will Help

This course is for both unpublished and published authors who wish to write in a way that connects with readers – and themselves – at the deepest levels. Many writers are technically sound and fine thinkers. True connection with readers requires more, however. The secret to making that connection, whether you write fiction or non-fiction, is writing from the heart.

Many of us approach writing by wondering what readers, editors, and publishers want. Instead, this course will focus on what interests us as writers. What things are we most passionate about and do we dare write about them?

This course offers tips and techniques for connecting with your writer’s heart – and discovering themes and concerns that will bring your writing to life.

 

What This Course Teaches

This four-week course offers practical ways for involving head, heart, and craft in writing – with a particular emphasis on tapping into your heart. Each lesson will include opening thoughts by Brent and then lead into exercises regarding that week’s topic.

The course officially begins on Monday, March 26, when the first full unit will become available to all students. Lessons related to the week’s theme will appear on Monday, Wednesday, and Friday. Units 2-4 will be available on the following Mondays: April 2, 9, 16.

Unit One: Heart and Mind

The first week will explore how we link head and craft with heart. It uses concrete exercises that will tap into what you know – and don’t know you know. We’ll also look at the places where heart and head intersect so that we can produce powerful writing.

Unit Two: Heart and Body

In our second week, we will go deeper in exploring the personal by adding body to heart. We will work with exercises that explore like-heartedness, but not necessarily like-mindedness as a way to connect with readers whose life experiences are different from our own.

Unit Three: Putting it All Together: Heart, Body, and Mind

During week three, you’ll delve into a deep personal experience from the perspective of heart instead of head. You’ll learn how to bring all the senses (physical, emotional, mental) to bear in bringing the story to life.

Unit Four: Going Long and Deep

Week four will pull all the learning from the first three weeks into a longer writing project where you can draw on what you’ve experienced. As with the previous weeks, it will include practical tips and guided exercises.

 

What This Course Includes

Weekly Assignments for completion at your own pace—designed to help you put what you learn into action.

You’ll also:

  • Receive suggestions for reading and other resources for you to go deeper in writing from the heart
  • Be able to chat with Brent in real time (video, audio, and text) during his weekly online office hours (2 separate hour per week)
  • Have access to a dedicated private Facebook page where you can (if you choose)
    • ask questions and engage in discussions with Brent and the other course participants. Brent will check the page daily for questions and comments.
    • share your work based on the exercise and invite feedback from the other course participants

A review (via email) by Brent of up to ten pages of a manuscript in which you’ve put some of the learning from this course into practice.

Cost: $150. Register HERE

About the Instructor

With more than twenty books and numerous articles and short stories published since the 1980s, Brent has learned a thing or three about writing. His book titles include Life Lessons from a Bad Quaker: A Humble Stumble Toward Simplicity and Grace, Sacred Compass: The Way of Spiritual Discernment; and Holy Silence: The Gift of Quaker Spirituality. He’s a writing coach, editor, photographer, and retreat leader.

One reviewer said of Brent that he’s “… a substantial spiritual guide, but never in a flashy way. Think of – oh, perhaps something like Mister Rogers Meets the Dalai Lama.” Brent is a member of Spirituality & Practice’s Living Spiritual Teachers Project.

A MWW alumnus, Brent lives on Ploughshares Farm – 50 acres of Indiana farmland being reclaimed for native hardwood forests and warm season prairie grasses.

Successful mini-conference at Brownsburg Library

We’re glad nearly 70 writers attended the MWW mini-conference, “Getting Serious About Your Writing,” Saturday morning, February 10, 2018, at the Brownsburg Public Library, Brownsburg, Indiana.

Attendees heard three multi-published authors, Nina Sadowsky, Dianne Drake, and Kelly O’Dell Stanley, share craft techniques, current publishing trends, and inside secrets through their opening addresses, instruction sessions, and a Q&A panel. Read Loretta Polaski’s article featured in March 2018’s Sisters in  Crime, Guppy Chapter newsletter, First Draft.

Welcome attendees!

Dianne Drake

Nina Sadowsky

Authors’ books available!

Nina Sadowsky

Kelly O’Dell Stanley

Dianne Drake

Breakout Session

Deepening Conflict in Your Novel with Shirley Jump

MWW Ongoing is a series of courses taught by award-winning writing instructors, and everything happens online. From the convenience of your computer, on your own time schedule, you can participate in classes to take your writing to the next level.
Check out our newest online MWW Ongoing course taught by one of our favorite instructors, New York Times bestselling author Shirley Jump. Once you register, you can do the exercises at your own pace, take any time online! The first unit is available now and the second on comes open on Monday, February 26. Shirley has great stuff for all those working to improve their novels. And her interactions on the Facebook private group with those who sign up are such a bonus.
Deepening Conflict (available now) is for people who are struggling to increase the conflict and tension in their scenes. If the book is feeling flat, or editors and readers are saying there isn’t enough conflict, this course will help. This online course will cover the difference between conflict and tension, how to create conflicts that aren’t just arguments, and developing conflict from your characters. Conflict is what keeps the engine of the plot moving, and keeps the reader turning the pages.

Shirley will cover the basics of both external and internal conflict. Learning the difference between these, how they interrelate, and how they impact the novel, is vital. You will also get to know your characters better through this process—what their fears are, what their needs are, and what roadblocks are in their way. If you are in the middle of a book and feeling stalled, this course will help you get the novel back on track. By the end of this course, you will have the tools you need to create more powerful scenes.

What This Course Specifically Teaches

  • Basics of conflict—what it is and isn’t
  • Determining internal and external conflict from the characters and plot
  • Deepening conflict on every page
  • How to analyze novels and scenes you read to pinpoint the conflict

The course is broken down into two units. The first is available now and the second is available Monday the 26th. Each unit is accompanied by several pdf handouts that build on the one before. You can start using the information immediately for your current work. Shirley is already interacting with students and answering questions within the private Facebook group. (Her recent post: “Today’s discussion topic: Think of a movie you recently saw. What would you say the main character’s external and internal conflicts were?”) The course will be available until May 31, so join any time!

UNIT ONE: Available Now

Unit One will be about getting the basics down. We will start with discussing what conflict is, how to find it in a scene, and what the difference is between internal and external conflict. Students will be asked to look at their own work and determine the main characters’ internal and external conflicts.

  • Goal Motivation Conflict
  • GMC Analysis Worksheet
  • Plotting Basics
  • Conflict: What It Is and Isn’t

UNIT TWO: Available Monday, February 26th

Unit Two will take conflict to a deeper level. We will go over the difference between tension and conflict, analyze conflict and tension in scenes, and see how well-placed hooks can build in additional tension for the book.

  • Conflict: The Missing Link
  • Tension vs. Conflict
  • Pacing Your Novel

About Shirley Jump
When she’s not writing books, New York Times and USA Today bestselling author Shirley Jump competes in triathlons, mostly because all that training lets her justify mid-day naps and a second slice of chocolate cake. She’s published more than 60 books in 24 languages, although she’s too geographically challenged to find any of those countries on a map. Visit her website at www.ShirleyJump.com for author news and a booklist, and follow her on Facebook at www.Facebook.com/shirleyjump.author for giveaways and deep discussions about important things like chocolate and shoes.

Cost: $75 / Register here!

Getting Serious About Your Writing Mini-conference

Kick Off 2018 With a Bang!

Take January to recover from the holidays, and then we’d love to see you in February! Midwest Writers Workshop is relaunching our popular mini conferences and hitting the road! As much as we love virtual connections, nothing compares to meeting In Real Life (IRL). Plus, this gives us the opportunity to share all the offerings we are adding.

The mini conference, “Getting Serious About Your Writing,” will take place at the Brownsburg Public Library, 450 South Jefferson Street, Brownsburg, Ind. on Saturday, February 10, 2018 from 9 a.m.-11:30 a.m. 

Check out the details:

1) Learn from three multi-published *authors who will share craft techniques, current publishing trends, and inside secrets through keynote addresses, instruction sessions, and a Q & A panel.

2) Light refreshments will be served.

3) Purchase the authors’ books on-site, and they will personally autograph them. (Or it’s okay to buy the books ahead and bring your own for an autograph.)

4) Join a small networking group by email, and possibly meet for lunch afterward (Not required. This activity is on your own, and not part of activities during the mini-conference.)

What does all of this cost?

Just **$20! Pre-registration and payment are required (no sign-ups at the door). Space is limited. Register early!

REGISTER HERE: Getting Serious About Your Writing

**Each attendee will receive an email following the mini-conference with a $20-off discount link to an online course from MWW Ongoing.

* The speakers include:

Nina Sadowsky

A New York City native, Nina R. Sadowsky is an entertainment lawyer (in recovery) who has worked as a film and television producer and writer for most of her career. Just Fall, published by Ballantine in March 2016 is her first novel, and is now in development as an original series for STARZ. Her second thriller, The Burial Society, will be published in 2017. Sadowsky is also an adjunct professor at University of Southern California’s School of Cinematic Arts, where she teaches producing and script development. She has written numerous original screenplays and adaptations and done rewrites for such companies as The Walt Disney Company and Working Title Films.

Dianne Drake

Dianne Drake is a former nurse who has now written 60 novels (mostly medical romances), as well as nine nonfiction titles. She has also had countless articles published in magazines such as Family Circle, Woman’s Day, Better Homes & Garden and Seventeen. Dianne is proud to say she got her start at a Midwest Writers Workshop back in 1993.

Kelly O’Dell Stanley

Kelly O’Dell Stanley is a graphic designer and the author of Praying Upside Down and Designed to Pray. Her writing awards include first place in Inspirational Writing in the 2013 Writer’s Digest competition. She is a regular contributor to Crosswalk.com and Internet Café Devotions, and she has written for numerous magazines and blogs.

Midwest Writers Workshop and the Brownsburg Public Library are non-profit organizations that are hosting this mini conference as a service to the public. Books for sale will be supplied by Bookmamas bookstore.

Refund policy: Sorry, but we are unable to offer refunds for this event.

Your goal for 2018? | It’s Time to Start Your Novel

Back by popular demand, Cathy Day’s MWW Ongoing course, “It’s Time To Start Your Novel,” will be offered in January. If your New Year’s Resolution for 2018 is to start writing, then this course is for you!

The registration for our MWW Ongoing course IT’S TIME TO START YOUR NOVEL begins December 18, 2017 and the course starts Monday, January 8, 2018. REGISTER NOW!

Cathy was also interviewed by John Strauss for Indiana Weekend on Indiana Public Radio. Listen as she discusses what her course offers to those interested in starting a novel.

Students registered for the course become a community through the private Facebook Group (which you can join after you register!). Here are a few comments from the students in last year’s course: (Note the exclamation points.)

  • This class is like an instruction manual, which I love! 
  • I am loving this class! I’m learning so much! 
  • I’ve loved Cathy’s challenges to choose characters, POV, clocks, etc. because it has forced me to make decisions.
  • I LOVED this unit!!! I am so excited about this course! I’m learning so much! I have always wanted to write a novel but had no idea how to go about it. Now I actually feel like it is within reach! Thank you so much for teaching this course, Cathy!
  • I have found Ms. Day’s course to be most excellent. I particularly appreciate her discussions of 1) preparation(s), and 2) character. These are exceedingly helpful.

This course is for everyone who ever thought, “I think I might have a novel inside me.” Understand though: you will not “write a novel” in this course–you will prepare yourself to start (or re-start) one. Think of it as a cooking course in which you spend the first class cleaning the kitchen and prepping the ingredients. Think of it as a marathon-running course in which you spend the first class buying a good pair of shoes. Your chances of drafting an entire novel increase exponentially when you spend some time preparing yourself for the journey ahead.

You’ll learn a great deal about your process without having to fret about the quality of your work. You’ll generate a lot of writing about the novel you want to write, get to know your characters, learn to think in terms of scenes not sentences, and make some crucial early decisions about point of view and structure that will save you a lot of time down the road.

At the end of the course, you’ll be ready and excited and poised to start writing your novel.

What This Course Specifically Teaches

  • intense focus on the writing process and on developing a writing regimen
  • writing assignments which will help you gather material, develop your plot, and get to know your characters
  • practice creating an outline or storyboard of your book
  • analysis of a novel that will serve as a model

The course is broken down into four big-picture units, further described below. Each unit offers a series of mini-lessons (about 5 to 10 minutes each) that build on each other. It will take you about four full hours to go through all of the instruction. You can pause to write when inspired and review the material on your own. Lessons are presented as audio-visual lectures that you can watch on any device (video/screencast).

Read how Cathy’s course changed the life of one writer!

Gift Certificates for MWW

The Write Gift — write here, write now

There’s still time to order MWW Gift certificates for the writers in your life!

Every writer wants to get better, and the best way to do that is in a supportive, welcoming community. That’s why Midwest Writers Workshop offers gift certificates in any amount. Nudge the writer in your life to take that next step.

Order your  gift certificate HERE!

We will snail mail you a personalized certificate, good for one year from purchase date, that can be applied towards any of our offerings, including:

  • MWW Ongoing (online courses and programs)
  • Membership in MWW Plus, which offers discounts on all learning opportunities–workshops, online courses, and mentoring services–plus other benefits exclusive to the MWW Plus Community
  • Our 2018 Midwest Writers Workshop (held July 19-21) — apply to Part I, Part II, or both
  • Workshop extras: manuscript evaluations, query letter critique, head shots, and other professional appointments offered as part of MWW
  • MWW merchandise offered for sale at our events
  • Mini Workshops (1-2 offered per year) — watch our website and our E-pistle for details about the next one, coming up on February 10, 2018!
  • and more.

AND check the MIDWEST WRITERS WORKSHOP FACEBOOK PAGE for our Facebook Live 2018 FACULTY REVEAL on December 30th!

Building Blocks of a Great Novel with Dianne Drake

MWW announces its the newest MWW Ongoing course, “The Building Blocks of a Great Novel,” taught by the bestselling author Dianne Drake.  This 6-unit course also includes a manuscript evaluation. Registration is now available!

Dianne says, “The goal of this course is not to teach you HOW to write your novel, but to help you discover all the key elements common to every great novel — elements that will make your novel great, too!”

  • Choosing Your Genre
  • Goal, Motivation & Conflict
  • Defining Your Point of View
  • Finding Your Voice
  • Creating Your Characters
  • Dialogue, Narrative & Exposition

What the Course Includes

  • Instructional sections that you can read on your own time, at your own convenience. This Prezi format is not a live presentation, and new lessons will not “drip” at various intervals during the course. Once you have registered, the entire course will be available to you, to access at any time you wish.
  • Assignments for completion at your own pace–designed to help you put what you learn into action.
  • Q&A time through a private Facebook forum designed especially for this course, plus discussions and handouts
  • AND each student will receive A FREE MANUSCRIPT EVALUATION AT THE END OF THE COURSE. Translated to mean 10 pages of a manuscript critique along with one deep editing pass.

CHOOSE YOUR GENRE: a discussion of what genre is; how to find the genre that works best for you, a reader’s expectation of genre, and much more.

GOAL, MOTIVATION & CONFLICT: the backbone of all great novels. What is GMC? How do you use it? Define it? Why developing your GMC will give you a head start on your novel that many writers skip. Also, how to apply GMC in your work for the best results.

DEFINING A POINT OF VIEW. Every book has one, so do most major characters. POV gives you a perspective of your story that no one else has. It also defines you, as writer, in your story.

FINDING YOUR VOICE. It’s unique. It’s you on the page-the way you present your story and yourself. It’s what your readers will relate to more than anything else, and what your editors expect to be so “you” your work will stand out in the pile. And, it’s what brings readers back to you and your books.

CREATING CHARACTERS. Good stories have good characters, great stories have great characters. This lesson will teach you everything you need to know about your characters, from naming them, to giving them the perfect backstory, to scripting them in a manner that your readers want more of them.

DIALOGUE, NARRATIVE & EXPOSITION. In other words, the whole ball of wax. How your story goes down on paper. Word choices. What resonates with readers and what doesn’t. This is the nitty-gritty about your writing and how to make the most of it so your next book contract will come knocking on your door almost before you’ve completed the current WIP (work in progress).

Looking to prepare for NaNoWriMo?

This six-unit series is for you!

The cost: $149 (includes manuscript critique!) Register HERE.

Join the course’s private Facebook community!

When you register for this course, you will be invited to a private Facebook group created for live interactions and questions.

Says Dianne:

I encourage lots and lots of questions and comments, anything you wish to address. I will also drop several handouts into the files — things I like to share with my students that may not necessarily have a proper place in the class. In addition, I will check in on the Facebook group several times a day, to answer questions, participate in discussions or to simply see how it’s going. If Facebook isn’t your thing, or you wish to discuss something privately, I’ll be happy to keep you caught up on my private email. 

About the Instructor

There wasn’t a time in her life when Dianne wasn’t writing something. The first real try she remembers came when she was aged 6, with a poem titled, “If I Had a Pony.” It was a lame attempt at getting her parents to buy her a pony, which didn’t work, but in that poem Dianne discovered she loved to write. So, she did…through grade school, high school, college school, music school, nursing school, grad school…It was always there. In Dianne’s life, there was always something to write about. Funny thing was, she wasn’t taking the hint. Not even when articles she was writing for professional medical journals were being published.

One day, though, Dianne’s mother died. She was too young. And she also died unfulfilled…full of hopes and dreams she never went after. This was at a time when Dianne was facing a disability that would eventually leave her with some very difficult physical challenges. Still, she didn’t want to end up like her mother, wasting a life of dreams that never had a chance. But, what to do? This is when, what Dianne calls, “The Post Card from God,” arrived. It was an ad for a writing workshop being held in Muncie, Indiana. Midwest Writers Workshop (1993) as it turned out. So, in her hand she had the opportunity to fulfill a dream she’d never really latched on to, but one that had always latched onto her. But, could she write for real? She’d always written, but to be a real writer?

Dianne did go to Muncie that year, totally nervous, but hopeful. And to shorten the story, 6 months later, her first-ever consumer article appeared in  Woman’s Day. From there came hundreds more articles, 9 nonfiction books and the true dream of her heart — 57 (soon to be 61) romance novels for Harlequin Books. Yes, her true writing dream was to be a romance writer.  Was the journey simple? Never. Was it worth it? Always. “The dream was always there. I just had to wake it up. It makes me sad knowing my mother was contented letting her dreams slip away because she missed a life that might have changed many things for her. But in watching her let her dreams pass her by, I discovered my own dream. I always wanted to write because I always wrote. No matter what happened in my life, I wrote about it. Big things, little things…none of it mattered. What did matter, though, was that my dream was always there with me and I was, and am blessed, to have it every day of my life. I was meant to be a writer. It was my dream, and it was my destiny.”

Dianne’s next two books from Harlequin Mills & Boon Medicals will be released simultaneously in January, 2018. Be on the lookout for  Reunited with Her Army Doc and  Healing Her Boss’s Heart — two connected stories about the healing powers of love, home and friendship. Also, keep up with Dianne’s new releases and news on her website at  www.Dianne-Drake.com and her Facebook page DianneDrakeAuthor.

Gallery: 2017 Midwest Writers Workshop

Video Slideshow:

Slideshow:
2017 Midwest Writers Workshop