Amy and Karma Brown are co-teaching the Part I intensive session Women’s Fiction, Deconstructed. [NOTE: openings still available!]
In this session we’ll discuss the genre’s definition and scope, common (and often overused) tropes, and what makes Women’s Fiction such a vital part of the publishing landscape. The workshop will explore different writing styles seen in Women’s Fiction, tips for your own writing, and ideas for helping your story stand out -including characterization, pacing, and conflict. Pre-Work: Before the day of the intensive, please read FOREVER, INTERRUPTED and MAYBE IN ANOTHER LIFE by Taylor Jenkins Reid so everyone is familiar with and able to discuss the same examples. For those with complete story ideas, you’re welcome to submit a 2 page, single-spaced synopsis to Karma and Amy, along with your first 250 words by July 1 (firstname.lastname@example.org/subject line: Women’s Fiction Intensive). All submitted synopses and writing samples will be given feedback, and a few will be discussed in class.
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AER: When I see reviews like that I feel relief that the themes I was trying to explore came through successfully on the page, at least to one person. And the intensive I’m teaching with the lovely Karma Brown will absolutely touch on incorporating personal passions into the story. Participants should expect to leave with a better understanding of Women’s Fiction, its place in the publishing world, and how to use that knowledge to improve their own storytelling. At this point, it will be mostly discussion and lecture, with the emphasis on discussion.
AER: The quick version of my path was write CAKE, revise it, query, get rejections, meet writing friends, learn about writing and everything I was doing wrong, revise, query, get more rejections, learn more about writing and repeat for 14 months until I finally had a presentable draft and signed with my amazing agent (who will also be at MWW), Rachel Ekstrom. She found me in her slush pile. I revised again, then we took CAKE on submission for about ten months when my fantastic editor, Kate Dresser at Gallery, snapped it up. While I didn’t meet my agent or editor at MWW, I did meet most of my close writing friends. Without their knowledge and support, I wouldn’t be where I am. MWW is great for soaking up knowledge, but meeting other writers and sharing experiences is almost more valuable. I look forward to this event every year!
AER: 1. First drafts suck. Accept it, then finish it so you can start making it better. 2. Don’t read reviews! When you’re immersed in the publishing world, everyone you know reads and leaves reviews, but the vast majority of readers don’t. And you can’t change a bad review, so why torment yourself. That being said, I will occasionally fall down this rabbit hole. 3. The publishing world is a small one. Professionalism, honesty, and kindness will serve you very well.
My Macbook is my life.
Plotter. The more I know about where my story is headed, the more layers I can incorporate in a first draft.
Scrivener, though I will switch to Word once my editor and I move into copy edits because we need to keep track of the changes.