Sarah Aronson is all about about exploring those three I’s!

Meet MWW20 faculty member Sarah Aronson

Sarah Aronson began writing for kids and teens when someone in an exercise class dared her to try. Since then, she has earned an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts, and published three stand alone novels: Head Case, Beyond Lucky, and Believe, a young MG series, The Wish List (Scholastic, 2017-2019) as well as the picture book biography, Just Like Rube Goldberg (Beach Lane Books), illustrated by Robert Neubecker.

When Sarah is not writing or reading (or cooking or riding her bike), she is talking to readers about creativity, writing, social action, and of course, sparkle power! She loves working with other writers in one of her classes at  the amazing Highlights Foundation or Writers on the Net (www.writers.com). She currently serves as PAL coordinator for SCBWI-Illinois-and the SCBWI-IL initiative, Read Local. Warning: She overuses exclamation points. When she gets really excited, she makes funny faces and talks with her hands. She lives in Evanston, Illinois.

Sarah Aronson - MWW20
Sarah Aronson – MWW20
Sarah’s MWW20 sessions include:
  • Get to Know Your MG/YA Novel – Sarah will present her philosophy on the stages of revision, beginning with reimagination and how writers can discover their most authentic voices. She will look at the three I’s: Inspiration, Intuition, and Intellect. She will offer her best tips, as well as anecdotes for every stage of revision–from concept to word–that are guaranteed to amplify voice and give you the confidence you need to dig deep into your novel narratives. She will provide a hand-out filled with exercises you can use to help you embrace the power of play.
  • Panel: Outliner and Pantser? [Tracy Clark, Sarah Domet, Sarah Aronson, Moderator: Angela Jackson-Brown]
  • To Move Forward, Look Back – Explore backstory to reveal new opportunities for revision and reimagination. In this lecture, Sarah will look at three kinds of back story-your story’s origins, your characters’ past, and your emotions and reasons for writing-as tools for discovery and revision. Writing exercises included.
  • No More Subpar Subplots – Are you stuck in the muddy middle?  Worried that your novel sags and drags? Or are you just plain lost? Perhaps you need to ramp up your subplots!  In this seminar, Sarah will break down the art of writing compelling secondary characters and subplots, and help you increase the conflict and pace your novel. Come prepared to do some writing exercises and self-editing. Warning: this process may lead to the death (or creation) of brand new characters!

Gail Werner, long-time friend of Midwest Writers Workshop, caught up with Sarah recently and interviewed her for this Q&A.

MWW: Can you tell me more about your background and how you got into writing young adult fiction? Someone you knew dared you once to give it a try, right?   

SA: Yes! Before I was a writer, I was a physical therapist, and for a long time, I taught a variety of exercise classes. After one spinning class, someone dared me to try writing. This didn’t completely surprise me. I had grown up loving and performing theater, and if you ask my mom and dad, I have always been a very persuasive story teller. So, I went home and found my children reading. (Rebecca was reading Esperanza, Rising, and Elliot was reading Bunnicula–for maybe the 100th time!) I don’t think I really thought much about it. I decided to try writing my favorite kinds of books–books for young readers–took out a pen and paper and started writing!

(I admit: I thought it would be easy. It wasn’t!)

After a few false starts, I met editor, Deborah Brodie, who liked my voice, but not much more! She suggested I get my MFA in Writing for Children and Young Adults.

Since that experience, I’ve published nine books for kids with one more under contract. I love talking about craft–and working with writers to help them find their stories. Every day, I am inspired by so many writers in the children’s literature community. We have great readers and an important mission: to give every child the opportunity to see themselves in stories that end with hope.

MWW: One of your MWW20 sessions–“To Move Forward, Look Back”–is on the topic of exploring backstory as a writer’s tool for discovery and revision. What do you think are the key purposes of backstory, and why is backstory important to good character creation?

SA: Backstory is all about the WHY–and the why is the key to understanding our characters’ motivations and desires that propel the story forward. No story begins on page one. Our characters’ past experiences form their worldviews–and that helps us imagine what they will do when faced with obstacles. Our backstories are important, too! They help us understand what our stories mean to us–and also mine for personal details. It’s going to be a fun session!

MWW: What do you love most about writing for kids and teens? On the flip side, what is the greatest challenge? 

SA: I love hanging out with kids! I love thinking like a kid. Childhood is a time of discovery and growth–both physical and emotional. My favorite books are the books I read when I was young. Getting into the mindset of a young person or teen is both rewarding and incredibly challenging! As an adult, I have a lot to share. But books aren’t teachers. Story is still the boss.

MWW: Can you share details about what you are working on right now? 

SA: I just finished editing my upcoming picture book called Brand New Bubbe.

Other works in progress include a middle grade novel that begins when the protagonist gets kicked out of camp for reasons she will not disclose. Because her parents are busy, they send her to her grandmother’s house for two weeks. It’s a story of family and friendship–my first story that takes place in Chicago. I’m also working on a mystery as well as a picture book about the history of Paint By Numbers. I like working on more than one project at a time–they are all in different stages. My writing process is all about the power of play. It’s about exploring those three I’s: inspiration, intuition, and intellect!

Join Sarah and the MWW Community to help you move forward with your stories! Check out this awesome schedule — and you get access to ALL 23 sessions!

Register for Virtual MWW20 here today!

Need help “Nailing the First Page”? Tracy Clark has advice!

Meet award-winning author Tracy Clark

Tracy Clark is the author of the Cass Raines PI series. The series, set in Chicago, features ex-homicide cop turned PI Cassandra Raines, a hard-driving African-American gumshoe who works the mean streets of the Windy City dodging cops, cons, killers and thugs.

Her debut novel, Broken Places, made Library Journal’s list of the Best Crime Fiction of 2018 and was shortlisted in the mystery category on the American Library Association’s 2019 Reading List. CrimeReads also named Cass Raines Best New PI of 2018. The novel also received a starred review from Publishers Weekly, a rave from Kirkus Review, and was nominated for a Lefty Award for Best Debut Novel, an Anthony Award for Best Debut Novel, and a Shamus Award for Best First PI Novel.

Her second Cass Raines novel, Borrowed Time, released in May 2019. Book three, What You Don’t See, recently released in May 2020.

A native Chicagoan, Tracy roots for the Cubs, the Sox, the Bears, the Blackhawks, the Chicago Shy and the Chicago Fire equally. She is member of Sisters in Crime and Sisters in Crime Chicagoland, Mystery Writers of America Midwest and International Thriller Writers. She is also a member of the Bouchercon National Board and secretary of her MWA local chapter.

Tracy’s sessions for MWW20 include:
  • Listening to The Voices In Your Head: about developing characters, main and secondary. Fleshing them out, giving them distinctive characteristics.
  • Panel: Outliner and Pantser? [Tracy Clark, Sarah Domet, Sarah Aronson, Moderator: Angela Jackson-Brown]
  • Nailing the First Page
  • Crafting Dynamic Dialogue
  • Panel: What No One Tells You About the Writing Life, But Should

Stephen Terrell, a member of the Midwest Writers Workshop Board of Directors, caught up with Tracy recently and interviewed her for this Q&A.

MWW:  Your first novel in the Cassandra Raines detective series was nominated for an Anthony, a Lefty Award and a Shamus Award for first novel. One of your topics at MWW2020 is “Listening to the Voices in Your Head” and developing characters. How did your character of Cassandra Raines come about? You’ve now written three books in the series. Has Cassandra changed from your initial concept, or was she fully formed in your head at creation?

TC: Cass Raines has been rattling around in my head, as a voice, as a character, almost fully formed since I was maybe twelve or thirteen. She popped up around about the time I started really getting into mysteries and reading them exclusively almost nonstop. I started with Nancy Drew, spunky, intrepid, progressed to Agatha Christie, then careened into the Golden Age of female crime writers in the early ’80s. I don’t think Cass has changed all that much in all that time. She’s still the same ferocious champion of the underdog she was when she presented herself to me, but I’ve got deeper understanding of her today than I ever could have had at thirteen. I understand her better today. Now I just go where she leads me.

MWW: Your stories are set in your hometown of Chicago (“Go Cubs”). How do you go about making your Chicago setting come alive for readers?

TC: Chicago’s a great city, and I work really hard to get it right, capturing the smells, the sights, the sounds, the corruption, the grit, the traffic snarls, the perennial nuisances that Chicagoans have to deal with. I use all of it to paint the picture and bring the city to life on the page. It takes a bit. I spend a lot of time on it. If a reader is familiar with Chicago, I want them to say, “Ah, I know that place. That’s exactly how it is.” If a reader knows nothing about the city, then I want them to get a sense of what they’re missing.

MWW:  Dialog is so important in your writing. You are teaching a class on “Crafting Dynamic Dialog.” What are the key points people listening to your presentation will be able to learn about improving their dialog?

TC: Dialog is key to revealing your character. How people speak, what they say, how they say it, tells you a great deal about them. But it is equally important what a character holds back. What he or she perhaps won’t say and how that can be conveyed in long pauses or short hesitations. All of that counts toward dialog. Every character has to want something. Not all characters are evolved enough to ask for it. Dialog therefore can be a delicate dance. Getting it right will assuredly elevate your story, muffing it will certainly kill it.

MWW: You are speaking on “Nailing the First Page,” which I think is one of the toughest tasks a writer faces. How do you know when you get it “write” or when you still need to re-write?

TC: For me, I equate it with hitting a tennis ball and getting that sweet spot on the racquet. That hit, that dead-center pop has a distinctive sound. You know the instant you hit the spot that you’ve hit it, and that the shot’s going to be good. It’s kind of the same with writing. Each sentence, each paragraph, each page has a rhythm to it. The words work or they don’t; your pace is slow or fast, your intent is conveyed or it isn’t. Your characters are revealed, their wants and needs expressed, or none of that is accomplished and you’ve lost your reader. And you know you’re done writing when all the elements of story work together, when you’ve hit that sweet spot. You can feel it. You can hear it when you read your work aloud, and every writer should. When you’ve gotten it right, your story will sing to you. That sounds goofy, but it’s an organic sort of thing

Join Tracy and the MWW Community to help you move forward with your stories!

Register for Virtual MWW20 here today!

What?!! ALL 23 sessions!

What? You’ll have access to ALL 23 sessions …

Yes. We have a need for community and now there’s the technology to create new community spaces for writers. No more choosing among breakout sessions online. Attend ALL 23 sessions live or watch recorded sessions for up to one month later. You can even rewatch sessions you find particularly helpful. [Check out the sessions here.]

 

What? You’ll save $150 because the cost has been reduced to $249 …

Yes. Do the math. That’s quite a bargain per session!

 

What? You’ll meet a community of writers through the private Facebook Group …

Yes. Join this all-star faculty line up and the expert workshops we have planned and move forward with your writing. MWW offers a way to build community among writers during this odd time in which we find ourselves. Let’s live Zoom the sessions together; let’s share on the private FB group with an amazing community of writers. [Check out the faculty here.]

With the COVID-19 pandemic, not only are many people’s work lives being disrupted, but their very capacity to focus, prioritize, and stay creative and buoyant also are challenged. But times of surprising challenge also give us the opportunity to center our attention and create in new ways.

Mary Oliver asks us, with your one wild and precious life?

The Summer Day
Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean-
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down-
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

 

Something, I hope, more than worry.

Something, I hope, more than hoard or blame.

Something more than hole yourself up in a cabin and wait for this thing to blow over.This crisis is an opportunity to create something new. To step out into a “virtual” conference.

Because the world has changed and keeps changing, and it will need your contribution, your words, your stories. In a week or a month or a year from now, how will you look back on this time? Will you have used your opportunity to contribute something to this new world? Or will you have only enjoyed an abundance of hand sanitizer? We’ve all probably watched too much Netflix, called too many friends to validate us, refreshed our social media feed too many times. Now it’s time to get to work. To do something. To pursue your dream.

And I invite you to join us for Virtual MWW20.

And now that it’s all coming together…I can’t believe how freaking fun, valuable, and powerful this virtual event is going to be!

Register for Virtual MWW20 here today!

Yep. We’re going virtual, too

Registration Re-Open NOW! MWW20 Moves To Online Format!

MWW20 Virtual Conference

Monday – Saturday

July 20-25, 2020

We’ve been working on this since the day we found out we’d have to cancel our planned in-person Midwest Writers Workshop at the Ball State Alumni Center due to the COVID-19 pandemic.
We went from being so disappointed and sad about having to cancel MWW20 in Muncie, to seeing this as incredible potential for us to help lots and lots of both aspiring and advanced writers like you through a virtual conference!
And now that it’s all coming together… we can’t believe how freaking fun, valuable, and powerful this MWW20 virtual event is going to be!
We have an all-star line up of authors and valuable sessions!
“Virtual MWW20” is now SIX days … so get ready! 

We have designed an online version of MWW that offers plenty of instruction, networking, and the sense of community that makes MWW so special.

Our online conference features:

From July 20-25, a total of 23 sessions, via Zoom video conferencing. The sessions will feature a variety of content that will be determined by the individual faculty member and may feature lecture, possibly prompt work, and vital, informative, enjoyable discussions that build your skills as a writer.

MWW20 features a remarkable faculty who know their stuff, providing information for both aspiring and practicing writers at all stages of their journey.

**Instruction led by renowned faculty for the genres of:

  • novel (Lori Rader-Day, Sarah Domet)
  • mystery (Tracy Clark)
  • middle grade/young adult (Sarah Aronson)
  • nonfiction/memoir (Kelcey Parker Ervick)
  • And special sessions with
    • Carol Saller – contributing editor to The Chicago Manual of Style
    • Jamie Thomas – director of operations at Women & Children First Bookstore in Chicago

 **“Happy Hour with Lori” (Monday, Wednesday, Friday) Lori Rader-Day: An Autopsy of a Novel — Lori will walk you through her entire process for writing her novels. Session participants are encouraged—not required—to read The Lucky One by Lori Rader-Day prior to MWW20. Lori may need to talk about some spoilers to tell this story. Reading the book prior to the conference will help attendees understand Lori’s writing process without spoiling the plot twists. [Support Midwest Writers Workshop by purchasing The Lucky One with Amazon Smile! Click here.]

**Private Facebook Group for camaraderie and to build connections with other participants and faculty.

**Can’t attend all the sessions live? No problem. MWW is offering archival video access to ALL attendees for ALL sessions and the content from other faculty members, allowing you to audit other sessions at your convenience during MWW20 and for the following four weeks.

It’s important to keep our MWW writing community as active as we can during this pandemic and that’s why this online version of MWW can be more important than ever to helping nurture aspiring and accomplished writers to improve their craft and achieve their publishing goals.

The cost for our Virtual MWW20 experience has been reduced to $249.

No more choosing among breakout sessions. Attend ALL 24 sessions live or watch recorded sessions for up to one month later. You can even rewatch sessions you find particularly helpful.  You’re getting more sessions for less money, and you can attend in your PJs!

At an on-site conference, your head can be spinning with all of the new information. Our online conference gives writers a place to go back and revisit and catch some of the content that they missed.

 

We’re still offering our **NEW Catapult Your Writing Workshop. This intensive will expose writers to the critique process in a positive environment and foster the idea of collaboration as an imperative skill. Learning the fine art of critiquing will prepare writers to work with editors, understanding that criticism is not personal, and looking at their own work in a clearer, more honest way. Topics addressed in the workshop include craft, style, plot, characterization, grammar, and more. This community experience will expose writers to each other at all stages of the development. Every work will be considered by its intention in a supportive and safe environment with the focus on making the manuscripts the best they can be in the time shared. Students must apply. Limit 12.

    • CATAPULT YOUR WRITING WORKSHOP: July 20-25, 2020 (9-11 am, 1:15-2:15 pm)
      • $299 [includes access to all Virtual MWW20 sessions]
      • Submissions must be emailed by June 1, 2020.

Do you dream of getting your story out of your heart and into a book? It’s time to turn that dream into reality. Let’s get those words onto paper and craft your story into a powerful offering.

That’s the vision behind our mission statement and our passion to help writers; MWW20 is designed to guide you to the next step in your writing journey.

Whether you’re a beginner with zero experience, or you’ve been writing for years, you’ll want the collective wisdom of our conference faculty. These authors will empower you to dream, write, and publish the story inside you.

Join us during the week to be inspired and equipped to take the next step in your writing journey.

Find the entire schedule: here.

Find the faculty bios: here.

Register HERE!

 

Pitch to Jennifer Grimaldi at MWW 2020 Agent Fest!

Get to Know an Agent in Attendance: Jennifer Grimaldi

Jennifer is one of eight literary agents coming to the 2020 MWW Agent Fest, March 13-14 at the Ball State Alumni Center, Muncie, Indiana.

Raised on a steady diet of Holly Black & Philip Pullman, Jennifer Grimaldi has always gravitated toward otherworldly, fantastical novels that reflect our own world’s past and present. At St. Martin’s Press/Thomas Dunne, she edited and acquired S. Jae-Jones’ New York Times bestseller Wintersong–a Labyrinth-inspired gothic YA–and worked with numerous bestselling and award-winning authors such as Kate Forsyth. Jennifer’s broad exposure to the domestic and foreign publishing markets as a scout with Barbara Tolley & Associates further shaped her taste for the eclectic. She is now an agent with Chalberg & Sussman, where she first started her publishing career in 2012.

Although the titles on her shelves have changed over the years, the content has not: they are still stuffed with magic and spaceships, fairytales and faraway lands. Across all genres, Jennifer loves strong, voice-driven novels, dark and romantic themes, and books that make her think–and learn. She is particularly excited by books that explore gender and sexuality, especially those with diverse, LGBTA+ leads, and own-voice writers.

Aspects sure to delight her include: cities and urban-planning, anecdotal histories, that trope where there were supposed to be two rooms at the hotel but they’re all booked up so the leads have to share, spies, thieves, mythological retellings, witches just trying to get by, weird obsessions, and puns.

Jennifer’s Wish List:

She is looking for historicals, romance, horror, and young adult and adult sci-fi and fantasy.

MWW agent assistant Gina Klaff, senior Creative Writing major at Ball State University and fiction editor for The Broken Plate, interviewed Jennifer about her life as an agent and about coming to MWW Agent Fest.

MWW: Let’s start with a question that might help some of the writers who may be attending the Fest. Are there any specific elements that you look for in a manuscript that help you determine whether or not you’d like to work with that story, or do you approach every manuscript differently?

Every manuscript is different, which is why most agents request a query letter along with pages to get a sense of the plot, themes, and writing style of the project. I don’t expect writers to be experts at query writing, so passes at that level for me are usually very basic: I’m not interested in representing that story, or I don’t like the hook, or it’s something I’ve seen done before. Once I move to the pages, I make faster and more cutthroat determinations. These can be based on character interactions, plot, genre tropes, writing, and so on, and are very specific to each type of project. I expect the first pages of a MS to be the most heavily edited, so if I sense problems, I’ll pass on a project very quickly.

MWW: Do you have any advice for new writers on how to query, or how to approach you or other agents?

The most important step is to do your research, both into your own project to correctly determine its genre and comparison titles, and then into agents who you feel will best be able to represent your project. The agents you are querying should be experts in your genre, and someone you would be excited to build a partnership with. The best advice I can offer is to be kind, professional, and respect boundaries. Remember that agents are people too, and they should be as excited to represent your work as you are to have them representing you!

MWW: Are there any specific tropes that make you happy whenever you see them? 

Absolutely! I have a few specific ones listed in my bio, but off the top of my head, I’m also a big fan of bodyguard romances, clever inversions of traditional narratives, villain-centric stories, and explorations of mythology and morality.

MWW: What kind of manuscript or story have you not seen for some time (or at all) and would like to work with in the upcoming year?

Oh, this is a tough one! I’d love to see more sci-fi dealing with robots/AI and the general question of what makes us human. On a completely different tack, I’d also love to see a fun murder-mystery romp as the backdrop to a rom-com or a YA narrative, in the vein of “Knives Out” or Clue.

MWW: And since we’re talking about stories, what’s a book you’ve recently read that you enjoyed?

I recently picked up A Memory Called Empire by Arkady Martine, which is sort of a space opera-meets-political intrigue with a fascinating mystery and extremely compelling heroine. It’s a wonderful read.

****
In addition to hearing pitches and critiquing query letters, Jennifer will present this session at the 2020 MWW Agent Fest:
  • “360 View of the Path to Publication” –  A look at the full process of publishing a book from a current literary agent and former book scout and editor. This session will cover what you can expect from the submission process, the selling and retaining of rights and subrights, the marketing and publicity a traditional publisher can offer, and what comes next.
Come and meet Jennifer!

Register Today!

Pitch to Kerry D’Agostino at MWW 2020 Agent Fest!

Get to Know an Agent in Attendance: Kerry D’Agostino

Kerry is one of eight literary agents coming to the  2020 MWW Agent Fest, March 13-14 at the Ball State Alumni Center, Muncie, Indiana.

Kerry D’Agostino is a literary agent at Curtis Brown, Ltd. She received her bachelor’s degree in English from Bowdoin College, her masters in Art in Education from Harvard Graduate School of Education, and her certificate in publishing from the Columbia Journalism School. She started at Curtis Brown in 2011 as assistant to Tim Knowlton and Holly Frederick in the Film and Television Department. After some time as a film and audio rights associate, she also began assisting Peter Ginsberg. In addition to her continued work with Peter, Kerry now represents authors of literary and commercial fiction, and select narrative nonfiction. She is particularly interested in work that is voice driven, accessible, and authentic. Above all, she is drawn to work that either introduces her to someone, somewhere, or something new, or makes her see something old in a new way. She lives in Brooklyn with her husband.

Kerry’s Wish List:

She is looking for literary and commercial fiction and select narrative nonfiction. She is particularly interested in work that is voice driven, accessible, and authentic.

MWW agent assistant Allison Akers interviewed Kerry about her life as an agent and about coming to MWW Agent Fest.

MWW: What are some do’s and don’t’s for authors who may be attending an agent pitch fest for the first time?

KD: The Midwest Writers Workshop website has some great advice for attending agent pitch fests, and I second all of it; it’s important to know who you are meeting with, and it’s also crucial to practice your pitch, on your own and also with those you can trust to share honest feedback. Be prepared to have a conversation about your work outside of the pitch, too: what brought you to the idea? What did your writing process involve? What do you consider to be good comp titles for your work? What kind of work might you want to pursue next? As far as “don’ts” go, it’s completely understandable that this can be a nerve-wracking experience, but don’t be too nervous. Agents work in publishing because they love books, and they attend these conferences because they’re excited to discover new talent. Both parties entering the conversation are hoping for a potential match! That said, another don’t is to not be too discouraged if your project is not a perfect match for the agent. Literature is so subjective, and just because the work is not right for one person does not mean it will not be a fit for the next. 

MWW: In your agent bio, you say you are interested in work that is “voice driven, accessible, and authentic,” as well as work that introduces you to new people, places, ideas, or gives a fresh take on an old concept. What work have you run across–either through your clients or leisure reading-that displays these qualifications?

KD: The best way to familiarize yourself with an agent’s taste is to study the books that they represent. My clients’ spring publications give a good sense of my interests: Leesa Cross-Smith’s  So We Can Glow is a gorgeous short story collection exploring the complicated hearts of girls and women; in Nancy Wayson Dinan’s  Things You Would Know if You Grew Up Around Here, a young woman sets out in the aftermath of the 2015 Memorial Day floods to find her missing friend; and with  Before She Was Helen, Caroline B. Cooney takes us to the heart of a retirement community to discover long-buried secrets in her first mystery for adults. Each of the protagonists across these books is deeply relatable in some way, but each also simultaneously brings me into a new landscape of some kind, whether physical or emotional.

MWW: Do you gravitate toward a particular genre or story/memoir structure within the categories of commercial fiction, literary fiction, and nonfiction?

KD: I would not say that I’m drawn to a particular structure, but across each of these categories I’m consistently looking for work that blends a deep examination of character with narrative momentum. I’m always intrigued when I see a writer playing with structure–Leslie Pietrzyk’s  Silver Girl is a great example of this, where we start with The Middle, move to The Beginning, then to the End, and then finally to Where Every Story Truly Begins–but the structure has to be purposeful, in service of the story rather than vice versa. In terms of genre, while much of my list does focus on upmarket/literary fiction for adult readers, I am also excited to be working with both authors of young adult literature and also authors of mystery/suspense.

MWW: What are some reasons that you reject a pitch, query letter, or manuscript?

KD: The most common reason that I reject a pitch, query letter, or manuscript is that I simply do not feel enough of a connection with it to feel confident that I would be that work’s most passionate advocate. There can always be unforeseen challenges in publishing, and when faced with those challenges an author deserves both an agent and an editor who shares their complete enthusiasm and their complete vision for their work. If I don’t have that vision, then I am not the right match for that work.

MWW: What are you most excited about for the Midwest Writers Workshop?

KD: I am looking forward to meeting with writers and learning about their projects! It would of course be particularly exciting to connect with a potential match, but either way I always enjoy feeling immersed in a creative community and the conversations such a community fosters.

In addition to hearing pitches and critiquing query letters, Kerry will present these sessions at the 2020 MWW Agent Fest:

  • “Six Steps from Query to Publication” – This session provides a general overview of the publication process, with steps that are broken down into the following: The Query; Signing with an Agent; Submission to Editors; Negotiating the Contract; Preparing for Publication; and finally, Publication itself. Tips for understanding and navigating each stage are included
  • “Subsidiary Rights” – This session explores the range of rights that can be involved in any one publishing contract, including print rights, digital rights, foreign language rights, UK rights, audio rights, and dramatic rights. Learn what each of these rights represent, and learn about the advantages of granting them to a publisher versus the advantages of reserving them.

Come and meet Kerry!

Register soon for the Early Bird Registration Cost! (Limited number of Query Letter Critiques available)

Pitch to Abby Saul at MWW 2020 Agent Fest!

Get to Know an Agent in Attendance: Abby Saul

Abby is one of eight literary agent coming to the 2020 MWW Agent Fest, March 13-14 at the Ball State Alumni Center, Muncie, Indiana.

Abby founded The Lark Group after a decade in publishing at John Wiley & Sons, Sourcebooks, and Browne & Miller Literary Associates. She’s worked with and edited bestselling and award-winning authors as well as major brands. At each publishing group she’s been a part of, Abby also has helped to establish ebook standards, led company-wide forums to explore new digital possibilities for books, and created and managed numerous digital initiatives.A zealous reader who loves her iPad and the ebooks on it, she still can’t resist the lure of a print book. Abby’s personal library of beloved titles runs the gamut from literary newbies and classics, to cozy mysteries, to sappy women’s fiction, to dark and twisted thrillers. She’s looking for great and engrossing adult commercial and literary fiction. A magna cum laude graduate of Wellesley College, Abby spends her weekends – when she’s not reading – cooking and hiking with her husband and son. Find her @BookySaul on Twitter.

Abby’s Wish List:

She is looking for adult fiction only in the following genres: mystery, thriller, suspense, women’s fiction (upmarket and commercial), historical fiction, and select literary fiction. (No science fiction or fantasy; no Jack Reacher-esque thrillers, ditto talking animals in mysteries. She does like works of fiction that are character-driven and smart.

MWW agent assistant Briana Rooke interviewed Abby about her life as an agent and about coming to MWW Agent Fest. Brianna is a senior English major at Ball State University. She also serves as an editorial assistant for Hope for Women magazine and a creative nonfiction editor for Ball State’s literary magazine The Broken Plate.

MWW: What are some do’s and don’t’s that you would recommend to authors who might be attending the festival for the first time?

AS: Do: listen, learn, and mingle. Events like this are incredible opportunities to realize you are not in this alone, and to start to demystify the “I’ve written a book, now what?!” feeling that often comes at the start of the publishing process. Connect with your fellow writers and the event faculty! Take it all in!

Don’t: believe everything you hear, and don’t be afraid. Publishing is a subjective business, and you’re going to hear some contradictory information. You’ll have to digest and figure out what makes sense for you and your path. And don’t be afraid to mingle – we’re all bookish people! When in doubt, ask your fellows about what they’re currently reading.

Do: be excited about your manuscript, if you’re pitching. If you aren’t, who will be?

Don’t: be so excited about your book that you pitch an agent in the line to the bathroom.

MWW: What are some elements that make stories stand out to you? What characteristics do you look for in fiction manuscripts?

AS: I have certain plot things that I always love – family secrets, locked rooms, dual timelines, exciting and tear-jerking finales, a sense of history and the book’s place in the larger scheme of life, etc – but the most important things, to me, are harder to define and they defy plot. These are characters who feel real, a world that I get lost in, and incredible, unputdownable writing. Those latter elements will make me fall for a book that doesn’t tick many of my “plot” boxes, and they can only come from honing your craft, getting more reads that you think your manuscript needs, and editing editing editing.

MWW: On the flip side, are there any elements that make you immediately dismiss a manuscript?

AS: Plot-wise, FBI or CIA agents running around while things blow up or killer POVs are not for me! I’ll also stop reading when a book is racist or sexist (and, oh boy, does that happen more often than you think!)

MWW: Your wish list states that you’re looking for “mystery, thriller, suspense, women’s fiction (upmarket and commercial), historical fiction, and select literary fiction.” What are some examples of the types of literary fiction that you are looking for?

AS: I’m looking for realistic and transportive literary fiction, grounded in the messy reality of human lives (past or present). Some examples of recent-ish literary projects I wish I had worked on:  The Great Believers by Rebecca Makkai,  The Essex Serpent by Sarah Perry,  The Italian Teacher by Tom Rachman,  When All is Said by Anne Griffin,  A Little Life by Hanya Yanagihara.

MWW: Finally, a fun question! It sounds like you have a diverse personal library…. What is your favorite book on your shelves?

AS: This is NOT a fun question! I have too many favorites to pick just one, and the list keeps growing as more incredible books get published every year. I would have to categorize by genre and subgenre (ie, favorite recent mystery v. favorite classic mystery v. favorite recent mystery, American-set v. favorite recent mystery, Scottish v. etc etc etc) and I would never finish. I will bypass succumbing to the panic this question induces by saying that I do like introducing people to some of the “forgotten” classic authors whom I adore (Ngaio Marsh, Barbara Pym, Josephine Tey, EF Benson, Nancy Mitford).

In addition to hearing pitches and critiquing query letters, Abby will present these sessions at the 2020 MWW Agent Fest:
  • “Please Read My Manuscript: Quick Tips for Query Questions”
  • “Finding, Working with, and Keeping an Agent”

Come and meet Abby!  

 

Register soon for the Early Bird Registration Cost! (Limited number of Query Letter Critiques available)

MWW 2020 Agent Fest, March 13-14

The 2nd Annual MWW Agent Fest: March 13-14, 2020

Friday 12:30 pm through Saturday 5:00 pm. {EARLY BIRD COST: $259 / $299 after 12/31/19}

Prepare. Pitch. Publish. #preppitchpub

Our first MWW Agent Fest was a big success! What attendees said:

To have one-on-one time with an agent is invaluable. The agents were all great and attentive. The conference was packed with useful information and opportunities.

A caring, professional organization for debut authors as well as accomplished authors.

A great and welcoming event with enthusiastic people and agents ready to give you real feedback.

I love how relaxed it was. The agents were friendly and engaged and it did wonders to calm my nerves. I really felt that they wanted to see me succeed.

So helpful! Really tangible and practical advice.

So, now MWW 2020 Agent Fest is another wonderful opportunity to get intense instruction over the course of two days, pitch a literary agent, get your query letter evaluated, get your questions answered, and more.

With 15 sessions, plus an All-Agent Panel Q&A, participants will learn how to write a dynamite query letter and tackle a one-page synopsis. The instructing literary agents will also explain the author experience and how to navigate the agent/author relationship, and the etiquette in dealing with an agent and manuscript basics.

BONUS: You can register for a Query Letter Critique! For an additional fee of $50, you will meet for a 10-minute one-on-one consultation with an agent/editor to discuss your query letter AND the first page of your manuscript. NOTE: ONLY 40 critique spots left! Register soon!

You’ll meet one-on-one with two agents and possibly three, depending on the number of registrants. Each pitch lasts three minutes, composed of a 90-second pitch and a 90-second response from the agent with feedback.

  • Ian Bonaparte, Janklow & Nesbit Associates
  • Kerry D’Agostino, Curtis Brown, Ltd.
  • Jennifer Grimaldi, Charlberg & Sussman
  • Amanda Luedeke, MacGregor & Luedeke
  • Eric Myers, Myers Literary Management
  • Patricia Nelson, Marsal Lyon Literary Agency
  • Abby Saul, The Lark Group
  • Dani Segelbaum, New Leaf Literary & Media
  • EDITOR: Erin Calligan Mooney, Senior Editor, Lake Union Publishing, Amazon Publishing
 
Kerry D’Agostino, Curtis Brown, Ltd.
  • “Six Steps from Query to Publication”
  • “Subsidiary Rights”
Jennifer Grimaldi, Charlberg & Sussman
  • “Common Pitching Mistakes”
  • “360 view of the path to publication”
Amanda Luedeke, MacGregor & Luedeke
  • “When to Self-Publish”
  • “When You Can’t Find Time to Write”
Eric Myers, Myers Literary Management
  • “How Much Is Too Much in YA And Middle Grade?”
  • “Working With Your Agent”
Patricia Nelson, Marsal Lyon Literary Agency
  • “Rookie Submission Mistakes (and how to avoid them)”
  • “Capturing the YA and MG Voice”
Abby Saul, The Lark Group
  • “Please Read My Manuscript: Quick Tips for Query Questions”
  • “Finding, Working with, and Keeping an Agent”
Dani Segelbaum, New Leaf Literary & Media
  • “How to Write A Non-Fiction Proposal”
  • “The Do’s and Don’ts of Querying Agents”
Erin Calligan Mooney, Senior Editor, Lake Union Publishing
  • “Trust Falls: The Editor/Author Relationship”

Friday Evening Program:

“First Paragraph Read – Love It or Leave It, “Okay, Stop” – with all agents. “A Paragraph One Critique-Fest.” This is a chance to get your first page read (anonymously – no bylines given) with our 9 attending faculty commenting on what was liked or not liked about the submission. Get expert feedback on your incredibly important first page, and know if your writing has what it needs to keep readers’ attention. (All attendees are welcome to bring pages to the event for this session, and we will choose pages at random for the workshop for as long as time lasts.)

You Will Get:

  • Immediate feedback on the merits of your book directly from agents working in that genre or category
  • Actionable advice on perfecting your pitch, and/or ways to improve your storyline or nonfiction premise
  • The opportunity to land representation and start on your path to a publishing deal.

Keys to Agent Fest Success:

  • Do your research. There will be eight agents attending and some will be a better fit for your writing than others. Be sure to study the list of agents and target those who handle your genre or interest.
  • Practice makes perfect. This is your chance to sell your book, so write it out, practice it and perfect your pitch. Use a stopwatch so you can keep time-and their attention!
  • Get expert advice. To help you prepare, we have a room with willing volunteers where you can practice. You can hone your pitch and get more comfortable with presenting live. You’ll also gain the confidence you need to make a great impression.

By Saturday evening, you will have added more tools to help you move forward on your writing journey.

Come join us!

REGISTER HERE!

Hands-on workshops: EDITING & REVISION, or NaNoWriMo BOOTCAMP!

MWW one-day conference to encourage you to move forward with your writing!

Midwest Writers Workshop’s Fall One-Day Conference is Saturday, October 5, 2019, 9:30 a.m.-4:30 p.m. at the Ball State Alumni Center, 2800 W. Bethel Ave., Muncie, Indiana. The cost for this one-day MWW Fall program is $155 and includes coffee (all day!) and lunch.

REGISTER HERE

We are offering TWO tracks of workshops for this MWW one-day conference to encourage you to move forward with your writing, take the next step, and improve your writing. TRACK 1 includes hands-on workshops on EDITING and REVISION. You can choose from three workshop sessions: Manuscript Makeover: Nonfiction, The Writing Life, or Revising Your Fiction. You will spend the day with the instructor and other writers who share your interest.

Or you can choose TRACK 2, an all-day workshop: NaNoWriMo Bootcamp! Participating in NaNoWriMo again this year? First time? Always meant to, but just never seemed to kick it in gear in time? This Bootcamp has the sure-fire inspiration and advice you need to make it happen this year. Prepare for November’s National Novel Writing Month with hands-on workshops on character development and plot. Your chances of drafting an entire novel increase exponentially when you spend some time preparing yourself for the journey ahead.

Track 1: Editing & Revision Workshops OR

Track 2: NaNoWriMo Bootcamp

TRACK 1:

Manuscript Makeover: Nonfiction – Holly Miller

Send us the first eight pages of your nonfiction work in progress by Sept. 18. Instructor Holly Miller—author of 15 books and more than 2,500 published articles—will edit your pages and use them to show strengths and weaknesses and to illustrate revision techniques and strategies for improvement. Writing exercises and marketing tips will round out the jam-packed (and fun) day. Send pages to midwestwriters@yahoo.com subject line Manuscript Makeover Nonfiction

The Writing Life – Larry Sweazy

That unfinished book is sitting in the drawer because you don’t have time to finish it. Life got in the way of your dream so you set it aside, promising to get back to it someday. Regardless of where you are on your path to fulfilling your writing dream, whether you write novels, short stories, or screenplays, you will encounter roadblocks, time drains, and the lack of energy and desire to finish what you started.

This is an intensive workshop that will help you focus on the time you need to write your masterpiece. This class will offer exercises, practical advice on where to find ideas, time management tips, and step-by-step guidelines that will encourage you to put writing at the top of your to-do list. The techniques taught in this class will apply to all genres and types of writing, and will prepare you to send your work out into the world. Bring a laptop or pen and paper and be prepared to write…with the clock ticking.

Revising Your Fiction – Lucrecia Guerrero

You’ve brought your creativity to bear and have completed a work of fiction. Now, it’s time to turn the analytical brain, and polish your little gem until it shines. Bring in your short story or novel chapter of up to fifteen pages. You are the one who will be revising your own work, so it’s important that you learn revision techniques. In this workshop, you’ll apply revision exercises to your own writing and receive feedback on the results. You’ll be reviewing the whole story, from the overall picture, to the protagonist’s motivation, down to the particular phrase or word. Print out at least one double-spaced hard copy of your manuscript in addition to bringing a copy on your favorite device. Come prepared to write and be a part of a supportive writing community!

TRACK 2:

NaNoWriMo Bootcamp – Sarah Schmitt

To prepare you for the fast moving and creative energy of NaNoWriMo and writing an entire novel in 30 days, Sarah presents these hands-on workshops include Character Development and Plot, and how to keep editing to a minimum. Your chances of finishing a first draft of a novel in November are greatly improved if you prepare in October.

SCHEDULE:

9:30 am – 10:00: Registration

10:00 – 10:15: Welcome

10:15 – 11:45

TRACK 1:

  • Manuscript Makeover: Nonfiction – Holly Miller
  • Where Do You Get Your Ideas? – Larry Sweazy
  • What’s It All About? – Lucrecia Guerrero

TRACK 2:

  • NanoWriMo: Character Development Workshop – Sarah Schmitt
    • Does your character’s eye color matter? Does he or she resent authority? Why? Character development is imperative for any story. This hands-on workshop will look at how a character’s past influences their actions in the present and where inspiration can be found to create a character as unique as the student writer. As a group we will develop a character to use in the second part of the boot camp. The remainder of the time will be used for each participant to begin developing their own characters.

11:45 am – 12:45 pm: Lunch/social time

12:45 pm – 2:00 pm

TRACK 1:

  • Manuscript Makeover: Nonfiction – Holly Miller
  • Finding Time to Write – Larry Sweazy
  • The Big Picture – Lucrecia Guerrero

TRACK 2:

  • NaNoWriMo: Plot – Sarah Schmitt
    • Building on the work done during the Character workshop, this session will focus on plot. Again, we will, as a group, plot on an entire story using Blake Snyder’s Save the Cat format. We’ll go through each of the fifteen beats as we craft an entire story line with just a genre.

2:15 – 3:00 pm

TRACK 1:

  • Holly Miller: Manuscript Makeover: Nonfiction – Holly Miller
  • The Publishing World Deconstructed – Larry Sweazy
  • A Closer Look – Lucrecia Guerrero

TRACK 2:

  • NaNoWriMo: Writing to Revise Tips – Sarah Schmitt
    • Creating an entire novel in 30 days means writing fast and keeping the editing to a minimum. In this session, learn how to satisfy your editorial brain while letting your creative side stay in the driver’s seat. Time permitting, there will be a Q&A session at the end.

3:15 – 4:15 pm: PANEL with all faculty: Larry Sweazy, Lucrecia Guerrero, Sarah Schmitt, Holly Miller

4:15 pm: Send off (with reminder of Agent Fest, March 13-14 & July 23-25, 2020)

FACULTY:

Author or co-author of eleven nonfiction books, four published novels, and 2,500 magazine short stories and articles, Holly Miller has led writing workshops from California to Massachusetts. A consulting editor to two national magazines and a judge for an annual fiction-writing contest, she holds communication degrees from Indiana University and Ball State University and has taught college writing classes for 25 years. Her how-to book, Feature & Magazine Writing, co-authored with colleague David Sumner, is in its third edition. Her greatest joy is helping unpublished writers break into print.

Larry D. Sweazy is a multiple-award winning author of fourteen Western and mystery novels, thirty-one short stories, and over sixty non-fiction articles and book reviews. Larry lives in Noblesville, Indiana with his wife, Rose, and is hard at work on his next novel. More information can be found at www.larrydsweazy.com.

Lucrecia Guerrero’s short stories have been published in numerous literary journals and have been anthologized in FANTASMAS: Stories of the Supernatural, Best of the West, and Not Like the Rest of Us. She was a co-author of “Coming Home,” a play celebrating Indiana’s bicentennial. Chasing Shadows, Chronicle Books, is her collection of linked short stories; and Tree of Sighs, Bilingual Press, a novel. Tree was awarded a Christopher Isherwood Fellowship Award and the Premio Aztlan Literary Award. Recently, the Indiana Humanities named her as one of the workshop facilitators for its “Writing Workshop Program.”

As a former K-8 school librarian and youth services profession for a public library, Sarah Schmitt has always enjoyed pushing books on unsuspecting teens. Now, as a YA author, she gets to write those stories. The author of It’s a Wonderful Death (Sky Pony Press), she uses her hallmark brand of humor to address serious topics facing teens. Sarah has taught at The Indiana Writer’s Center and presents interactive workshops at middle and high schools around the country. She particularly enjoys inspiring other writers to get involved with National Novel Writing Month through her NaNoWriMo Bootcamp program. Sarah has served on the selection committee for the William C. Morris YA Debut Award, Eliot Rosewater Indiana High School Book Award, Young Hoosier Book Award for Middle Grade and YALSA Teens Top Ten. She lives with her husband, two kidlets, and a ninja cat near Indianapolis, Indiana. You can follow her on Instagram @sarahjschmitt.

REGISTER HERE

 

Are you writing a mystery? Need help with a writing plan?

We look forward to welcoming Mary Carter – a Chicago-based, bestselling novelist and workshop leader at the Chicago Writer’s Loft – to MWW19 this July.

Mary’s works have been translated into a number of languages and include: Home With My Sisters, London From My Windows, Meet Me in Barcelona, Three Months in Florence, The Things I Do For You, The Pub Across the Pond, My Sister’s Voice, Sunnyside Blues, She’ll Take It, and Accidentally Engaged. In addition to her novels, she has written six novellas, two of which have been New York Times bestselling anthologies.

Readers and aspiring writers can check her out at MaryCarterBooks.com and thewritersloft.com, follow her on Twitter @marycarterbooks, or like her on Facebook at Mary Carter Books.

Mary also writes under the pen name Carlene O’Connor and is a USA Today bestselling author of “The Irish Village Mysteries.” To date, as Carlene O’Connor, she has written Murder in an Irish Village, Murder at an Irish Wedding, and Murder in an Irish ChurchyardMurder at an Irish Pub, and Murder in Galway. September 2019 will see the release of A Christmas Cocoa Murder. Readers can visit her at CarleneOConnor.net or Carlene O’Connor on Facebook.

Mary will be joining us as part of the MWW faculty for the first time. Her Thursday workshops include “Get a Clue: Setting the Mystery Scene” and “Not the Usual Suspect: Developing Characters for Your Mystery.” During Friday morning’s buttonhole session, she will lead discussions on “Words as Weapons.” And Friday afternoon, she will present “Plotting and Re-writing Your Mystery: Where the Magic Happens.”

Janis Thornton, long-time friend of Midwest Writers Workshop, caught up with Mary recently and interviewed her for this Q&A.

MWW:  According to your bio on the Fantastic Fiction website, you’re an actor! Please tell us a bit about how you’ve applied your acting techniques to writing, primarily in creating and building your characters.

MC/CC: 

I consider myself an ex-actor, although maybe there’s no such thing. When I finally took the writing course that I now teach, the light bulb went on as far as the connection between writing and acting. All the work I did on my characters as an actress now had to apply to all the characters in the story. Acting helped with scene study, dialogue, motivation, and most importantly feeling everything your characters are feeling. It was a fabulous foundation for my journey as a writer, and I believe sped up my development once I made the connections.

MWW:  When did you write your first cozy mystery, what led you to the genre, and what do you enjoy about writing them?

MC/CC: 

I wrote Murder in an Irish Village approximately five years ago. It was a request from my editor. He first asked if I would be interested in writing a murder mystery series for them set in England. I answered honestly, that I would have no idea how to do that -then added – but I could set in Ireland. I was in a parking lot of a grocery store in North Carolina. I had just moved there because I was tired of writing and working day jobs, so I Googled “cheapest, nicest places to live” and ended up in Wilmington, North Carolina. I will be honest. I never read “cozy” mysteries before that, unless you’re counting Agatha Christie as cozy. It’s the publishers that focus on genre. As a writer, there are times I’m given restrictions – i.e., there are reader expectations built into the genre of cozy mysteries, but then I had to write one that I would want to read. That isn’t a dig on the genre; I just wasn’t an avid reader of them, as I preferred gritty mysteries as a reader. I enjoy the challenge of sticking to those guidelines, but also stretching them, and creating a believable and compelling mystery within those guidelines.

MWW:  What is your biggest challenge in keeping your storylines and characters fresh?

MC/CC: 

Believe it or not, I haven’t run into that yet. I’ve been able to keep each mystery fresh by imagining scenarios that interest me. I employ change of seasons, new characters coming to town, new subjects – be it genealogy, or weddings, or poker games, and in the current one I’m writing, the characters venture a little outside of their hometown to shake things up a bit.

MWW:  How have your Irish ties influenced your writing, characters, and plotting?

MC/CC: 

Of course. All my years of research at Irish pubs in NYC paid off. And all my Irish friends, Irish exes, and Irish in the family line. It’s impossible to imagine the series set anywhere else, as setting and characters are such a deep part of the story. I’m sure I get things wrong that an Irish native would notice. I strive to learn from those mistakes with each book.

MWW:  What authors have inspired you?

MC/CC: 

Oh boy. I read everything I can get my hands on and that is a long list. I guess I’ll stick to mysteries. I like everyone from Tana French, Sue Grafton, Ann Cleeves, Raymond Chandler, John Grisham, Dennis Lehane, Jane Harper, Lisa Gardner, Tony Hillerman. I also love psychological thrillers. My TBR list is always piled high, and I read widely across genres. And now that I have author friends, I love all their books too.

MWW:  And lastly, what’s the best way for participants in your sessions to prepare, and what is the best new writing tip you want them to leave with?

MC/CC: 

No preparation needed, just an open mind, and a notebook, (or laptop), and I will leave them with a writing plan – the WOAES – that they can use the rest of their writing lives! Is that a little mysterious? A mini cliffhanger? I hope so!

MWW:  Thank you, Mary! We’re all looking forward to meeting you.

Register Today! Do this thing.

Click here to register.