Pitch to Jennifer Grimaldi at MWW 2020 Agent Fest!

Get to Know an Agent in Attendance: Jennifer Grimaldi

Jennifer is one of eight literary agents coming to the 2020 MWW Agent Fest, March 13-14 at the Ball State Alumni Center, Muncie, Indiana.

Raised on a steady diet of Holly Black & Philip Pullman, Jennifer Grimaldi has always gravitated toward otherworldly, fantastical novels that reflect our own world’s past and present. At St. Martin’s Press/Thomas Dunne, she edited and acquired S. Jae-Jones’ New York Times bestseller Wintersong–a Labyrinth-inspired gothic YA–and worked with numerous bestselling and award-winning authors such as Kate Forsyth. Jennifer’s broad exposure to the domestic and foreign publishing markets as a scout with Barbara Tolley & Associates further shaped her taste for the eclectic. She is now an agent with Chalberg & Sussman, where she first started her publishing career in 2012.

Although the titles on her shelves have changed over the years, the content has not: they are still stuffed with magic and spaceships, fairytales and faraway lands. Across all genres, Jennifer loves strong, voice-driven novels, dark and romantic themes, and books that make her think–and learn. She is particularly excited by books that explore gender and sexuality, especially those with diverse, LGBTA+ leads, and own-voice writers.

Aspects sure to delight her include: cities and urban-planning, anecdotal histories, that trope where there were supposed to be two rooms at the hotel but they’re all booked up so the leads have to share, spies, thieves, mythological retellings, witches just trying to get by, weird obsessions, and puns.

Jennifer’s Wish List:

She is looking for historicals, romance, horror, and young adult and adult sci-fi and fantasy.

MWW agent assistant Gina Klaff, senior Creative Writing major at Ball State University and fiction editor for The Broken Plate, interviewed Jennifer about her life as an agent and about coming to MWW Agent Fest.

MWW: Let’s start with a question that might help some of the writers who may be attending the Fest. Are there any specific elements that you look for in a manuscript that help you determine whether or not you’d like to work with that story, or do you approach every manuscript differently?

Every manuscript is different, which is why most agents request a query letter along with pages to get a sense of the plot, themes, and writing style of the project. I don’t expect writers to be experts at query writing, so passes at that level for me are usually very basic: I’m not interested in representing that story, or I don’t like the hook, or it’s something I’ve seen done before. Once I move to the pages, I make faster and more cutthroat determinations. These can be based on character interactions, plot, genre tropes, writing, and so on, and are very specific to each type of project. I expect the first pages of a MS to be the most heavily edited, so if I sense problems, I’ll pass on a project very quickly.

MWW: Do you have any advice for new writers on how to query, or how to approach you or other agents?

The most important step is to do your research, both into your own project to correctly determine its genre and comparison titles, and then into agents who you feel will best be able to represent your project. The agents you are querying should be experts in your genre, and someone you would be excited to build a partnership with. The best advice I can offer is to be kind, professional, and respect boundaries. Remember that agents are people too, and they should be as excited to represent your work as you are to have them representing you!

MWW: Are there any specific tropes that make you happy whenever you see them? 

Absolutely! I have a few specific ones listed in my bio, but off the top of my head, I’m also a big fan of bodyguard romances, clever inversions of traditional narratives, villain-centric stories, and explorations of mythology and morality.

MWW: What kind of manuscript or story have you not seen for some time (or at all) and would like to work with in the upcoming year?

Oh, this is a tough one! I’d love to see more sci-fi dealing with robots/AI and the general question of what makes us human. On a completely different tack, I’d also love to see a fun murder-mystery romp as the backdrop to a rom-com or a YA narrative, in the vein of “Knives Out” or Clue.

MWW: And since we’re talking about stories, what’s a book you’ve recently read that you enjoyed?

I recently picked up A Memory Called Empire by Arkady Martine, which is sort of a space opera-meets-political intrigue with a fascinating mystery and extremely compelling heroine. It’s a wonderful read.

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In addition to hearing pitches and critiquing query letters, Jennifer will present this session at the 2020 MWW Agent Fest:
  • “360 View of the Path to Publication” –  A look at the full process of publishing a book from a current literary agent and former book scout and editor. This session will cover what you can expect from the submission process, the selling and retaining of rights and subrights, the marketing and publicity a traditional publisher can offer, and what comes next.
Come and meet Jennifer!

Register Today!

Pitch to Kerry D’Agostino at MWW 2020 Agent Fest!

Get to Know an Agent in Attendance: Kerry D’Agostino

Kerry is one of eight literary agents coming to the  2020 MWW Agent Fest, March 13-14 at the Ball State Alumni Center, Muncie, Indiana.

Kerry D’Agostino is a literary agent at Curtis Brown, Ltd. She received her bachelor’s degree in English from Bowdoin College, her masters in Art in Education from Harvard Graduate School of Education, and her certificate in publishing from the Columbia Journalism School. She started at Curtis Brown in 2011 as assistant to Tim Knowlton and Holly Frederick in the Film and Television Department. After some time as a film and audio rights associate, she also began assisting Peter Ginsberg. In addition to her continued work with Peter, Kerry now represents authors of literary and commercial fiction, and select narrative nonfiction. She is particularly interested in work that is voice driven, accessible, and authentic. Above all, she is drawn to work that either introduces her to someone, somewhere, or something new, or makes her see something old in a new way. She lives in Brooklyn with her husband.

Kerry’s Wish List:

She is looking for literary and commercial fiction and select narrative nonfiction. She is particularly interested in work that is voice driven, accessible, and authentic.

MWW agent assistant Allison Akers interviewed Kerry about her life as an agent and about coming to MWW Agent Fest.

MWW: What are some do’s and don’t’s for authors who may be attending an agent pitch fest for the first time?

KD: The Midwest Writers Workshop website has some great advice for attending agent pitch fests, and I second all of it; it’s important to know who you are meeting with, and it’s also crucial to practice your pitch, on your own and also with those you can trust to share honest feedback. Be prepared to have a conversation about your work outside of the pitch, too: what brought you to the idea? What did your writing process involve? What do you consider to be good comp titles for your work? What kind of work might you want to pursue next? As far as “don’ts” go, it’s completely understandable that this can be a nerve-wracking experience, but don’t be too nervous. Agents work in publishing because they love books, and they attend these conferences because they’re excited to discover new talent. Both parties entering the conversation are hoping for a potential match! That said, another don’t is to not be too discouraged if your project is not a perfect match for the agent. Literature is so subjective, and just because the work is not right for one person does not mean it will not be a fit for the next. 

MWW: In your agent bio, you say you are interested in work that is “voice driven, accessible, and authentic,” as well as work that introduces you to new people, places, ideas, or gives a fresh take on an old concept. What work have you run across–either through your clients or leisure reading-that displays these qualifications?

KD: The best way to familiarize yourself with an agent’s taste is to study the books that they represent. My clients’ spring publications give a good sense of my interests: Leesa Cross-Smith’s  So We Can Glow is a gorgeous short story collection exploring the complicated hearts of girls and women; in Nancy Wayson Dinan’s  Things You Would Know if You Grew Up Around Here, a young woman sets out in the aftermath of the 2015 Memorial Day floods to find her missing friend; and with  Before She Was Helen, Caroline B. Cooney takes us to the heart of a retirement community to discover long-buried secrets in her first mystery for adults. Each of the protagonists across these books is deeply relatable in some way, but each also simultaneously brings me into a new landscape of some kind, whether physical or emotional.

MWW: Do you gravitate toward a particular genre or story/memoir structure within the categories of commercial fiction, literary fiction, and nonfiction?

KD: I would not say that I’m drawn to a particular structure, but across each of these categories I’m consistently looking for work that blends a deep examination of character with narrative momentum. I’m always intrigued when I see a writer playing with structure–Leslie Pietrzyk’s  Silver Girl is a great example of this, where we start with The Middle, move to The Beginning, then to the End, and then finally to Where Every Story Truly Begins–but the structure has to be purposeful, in service of the story rather than vice versa. In terms of genre, while much of my list does focus on upmarket/literary fiction for adult readers, I am also excited to be working with both authors of young adult literature and also authors of mystery/suspense.

MWW: What are some reasons that you reject a pitch, query letter, or manuscript?

KD: The most common reason that I reject a pitch, query letter, or manuscript is that I simply do not feel enough of a connection with it to feel confident that I would be that work’s most passionate advocate. There can always be unforeseen challenges in publishing, and when faced with those challenges an author deserves both an agent and an editor who shares their complete enthusiasm and their complete vision for their work. If I don’t have that vision, then I am not the right match for that work.

MWW: What are you most excited about for the Midwest Writers Workshop?

KD: I am looking forward to meeting with writers and learning about their projects! It would of course be particularly exciting to connect with a potential match, but either way I always enjoy feeling immersed in a creative community and the conversations such a community fosters.

In addition to hearing pitches and critiquing query letters, Kerry will present these sessions at the 2020 MWW Agent Fest:

  • “Six Steps from Query to Publication” – This session provides a general overview of the publication process, with steps that are broken down into the following: The Query; Signing with an Agent; Submission to Editors; Negotiating the Contract; Preparing for Publication; and finally, Publication itself. Tips for understanding and navigating each stage are included
  • “Subsidiary Rights” – This session explores the range of rights that can be involved in any one publishing contract, including print rights, digital rights, foreign language rights, UK rights, audio rights, and dramatic rights. Learn what each of these rights represent, and learn about the advantages of granting them to a publisher versus the advantages of reserving them.

Come and meet Kerry!

Register soon for the Early Bird Registration Cost! (Limited number of Query Letter Critiques available)

Pitch to Abby Saul at MWW 2020 Agent Fest!

Get to Know an Agent in Attendance: Abby Saul

Abby is one of eight literary agent coming to the 2020 MWW Agent Fest, March 13-14 at the Ball State Alumni Center, Muncie, Indiana.

Abby founded The Lark Group after a decade in publishing at John Wiley & Sons, Sourcebooks, and Browne & Miller Literary Associates. She’s worked with and edited bestselling and award-winning authors as well as major brands. At each publishing group she’s been a part of, Abby also has helped to establish ebook standards, led company-wide forums to explore new digital possibilities for books, and created and managed numerous digital initiatives.A zealous reader who loves her iPad and the ebooks on it, she still can’t resist the lure of a print book. Abby’s personal library of beloved titles runs the gamut from literary newbies and classics, to cozy mysteries, to sappy women’s fiction, to dark and twisted thrillers. She’s looking for great and engrossing adult commercial and literary fiction. A magna cum laude graduate of Wellesley College, Abby spends her weekends – when she’s not reading – cooking and hiking with her husband and son. Find her @BookySaul on Twitter.

Abby’s Wish List:

She is looking for adult fiction only in the following genres: mystery, thriller, suspense, women’s fiction (upmarket and commercial), historical fiction, and select literary fiction. (No science fiction or fantasy; no Jack Reacher-esque thrillers, ditto talking animals in mysteries. She does like works of fiction that are character-driven and smart.

MWW agent assistant Briana Rooke interviewed Abby about her life as an agent and about coming to MWW Agent Fest. Brianna is a senior English major at Ball State University. She also serves as an editorial assistant for Hope for Women magazine and a creative nonfiction editor for Ball State’s literary magazine The Broken Plate.

MWW: What are some do’s and don’t’s that you would recommend to authors who might be attending the festival for the first time?

AS: Do: listen, learn, and mingle. Events like this are incredible opportunities to realize you are not in this alone, and to start to demystify the “I’ve written a book, now what?!” feeling that often comes at the start of the publishing process. Connect with your fellow writers and the event faculty! Take it all in!

Don’t: believe everything you hear, and don’t be afraid. Publishing is a subjective business, and you’re going to hear some contradictory information. You’ll have to digest and figure out what makes sense for you and your path. And don’t be afraid to mingle – we’re all bookish people! When in doubt, ask your fellows about what they’re currently reading.

Do: be excited about your manuscript, if you’re pitching. If you aren’t, who will be?

Don’t: be so excited about your book that you pitch an agent in the line to the bathroom.

MWW: What are some elements that make stories stand out to you? What characteristics do you look for in fiction manuscripts?

AS: I have certain plot things that I always love – family secrets, locked rooms, dual timelines, exciting and tear-jerking finales, a sense of history and the book’s place in the larger scheme of life, etc – but the most important things, to me, are harder to define and they defy plot. These are characters who feel real, a world that I get lost in, and incredible, unputdownable writing. Those latter elements will make me fall for a book that doesn’t tick many of my “plot” boxes, and they can only come from honing your craft, getting more reads that you think your manuscript needs, and editing editing editing.

MWW: On the flip side, are there any elements that make you immediately dismiss a manuscript?

AS: Plot-wise, FBI or CIA agents running around while things blow up or killer POVs are not for me! I’ll also stop reading when a book is racist or sexist (and, oh boy, does that happen more often than you think!)

MWW: Your wish list states that you’re looking for “mystery, thriller, suspense, women’s fiction (upmarket and commercial), historical fiction, and select literary fiction.” What are some examples of the types of literary fiction that you are looking for?

AS: I’m looking for realistic and transportive literary fiction, grounded in the messy reality of human lives (past or present). Some examples of recent-ish literary projects I wish I had worked on:  The Great Believers by Rebecca Makkai,  The Essex Serpent by Sarah Perry,  The Italian Teacher by Tom Rachman,  When All is Said by Anne Griffin,  A Little Life by Hanya Yanagihara.

MWW: Finally, a fun question! It sounds like you have a diverse personal library…. What is your favorite book on your shelves?

AS: This is NOT a fun question! I have too many favorites to pick just one, and the list keeps growing as more incredible books get published every year. I would have to categorize by genre and subgenre (ie, favorite recent mystery v. favorite classic mystery v. favorite recent mystery, American-set v. favorite recent mystery, Scottish v. etc etc etc) and I would never finish. I will bypass succumbing to the panic this question induces by saying that I do like introducing people to some of the “forgotten” classic authors whom I adore (Ngaio Marsh, Barbara Pym, Josephine Tey, EF Benson, Nancy Mitford).

In addition to hearing pitches and critiquing query letters, Abby will present these sessions at the 2020 MWW Agent Fest:
  • “Please Read My Manuscript: Quick Tips for Query Questions”
  • “Finding, Working with, and Keeping an Agent”

Come and meet Abby!  

 

Register soon for the Early Bird Registration Cost! (Limited number of Query Letter Critiques available)

MWW 2020 Agent Fest, March 13-14

The 2nd Annual MWW Agent Fest: March 13-14, 2020

Friday 12:30 pm through Saturday 5:00 pm. {EARLY BIRD COST: $259 / $299 after 12/31/19}

Prepare. Pitch. Publish. #preppitchpub

Our first MWW Agent Fest was a big success! What attendees said:

To have one-on-one time with an agent is invaluable. The agents were all great and attentive. The conference was packed with useful information and opportunities.

A caring, professional organization for debut authors as well as accomplished authors.

A great and welcoming event with enthusiastic people and agents ready to give you real feedback.

I love how relaxed it was. The agents were friendly and engaged and it did wonders to calm my nerves. I really felt that they wanted to see me succeed.

So helpful! Really tangible and practical advice.

So, now MWW 2020 Agent Fest is another wonderful opportunity to get intense instruction over the course of two days, pitch a literary agent, get your query letter evaluated, get your questions answered, and more.

With 15 sessions, plus an All-Agent Panel Q&A, participants will learn how to write a dynamite query letter and tackle a one-page synopsis. The instructing literary agents will also explain the author experience and how to navigate the agent/author relationship, and the etiquette in dealing with an agent and manuscript basics.

BONUS: You can register for a Query Letter Critique! For an additional fee of $50, you will meet for a 10-minute one-on-one consultation with an agent/editor to discuss your query letter AND the first page of your manuscript. NOTE: ONLY 40 critique spots left! Register soon!

You’ll meet one-on-one with two agents and possibly three, depending on the number of registrants. Each pitch lasts three minutes, composed of a 90-second pitch and a 90-second response from the agent with feedback.

  • Ian Bonaparte, Janklow & Nesbit Associates
  • Kerry D’Agostino, Curtis Brown, Ltd.
  • Jennifer Grimaldi, Charlberg & Sussman
  • Amanda Luedeke, MacGregor & Luedeke
  • Eric Myers, Myers Literary Management
  • Patricia Nelson, Marsal Lyon Literary Agency
  • Abby Saul, The Lark Group
  • Dani Segelbaum, New Leaf Literary & Media
  • EDITOR: Erin Calligan Mooney, Senior Editor, Lake Union Publishing, Amazon Publishing
 
Kerry D’Agostino, Curtis Brown, Ltd.
  • “Six Steps from Query to Publication”
  • “Subsidiary Rights”
Jennifer Grimaldi, Charlberg & Sussman
  • “Common Pitching Mistakes”
  • “360 view of the path to publication”
Amanda Luedeke, MacGregor & Luedeke
  • “When to Self-Publish”
  • “When You Can’t Find Time to Write”
Eric Myers, Myers Literary Management
  • “How Much Is Too Much in YA And Middle Grade?”
  • “Working With Your Agent”
Patricia Nelson, Marsal Lyon Literary Agency
  • “Rookie Submission Mistakes (and how to avoid them)”
  • “Capturing the YA and MG Voice”
Abby Saul, The Lark Group
  • “Please Read My Manuscript: Quick Tips for Query Questions”
  • “Finding, Working with, and Keeping an Agent”
Dani Segelbaum, New Leaf Literary & Media
  • “How to Write A Non-Fiction Proposal”
  • “The Do’s and Don’ts of Querying Agents”
Erin Calligan Mooney, Senior Editor, Lake Union Publishing
  • “Trust Falls: The Editor/Author Relationship”

Friday Evening Program:

“First Paragraph Read – Love It or Leave It, “Okay, Stop” – with all agents. “A Paragraph One Critique-Fest.” This is a chance to get your first page read (anonymously – no bylines given) with our 9 attending faculty commenting on what was liked or not liked about the submission. Get expert feedback on your incredibly important first page, and know if your writing has what it needs to keep readers’ attention. (All attendees are welcome to bring pages to the event for this session, and we will choose pages at random for the workshop for as long as time lasts.)

You Will Get:

  • Immediate feedback on the merits of your book directly from agents working in that genre or category
  • Actionable advice on perfecting your pitch, and/or ways to improve your storyline or nonfiction premise
  • The opportunity to land representation and start on your path to a publishing deal.

Keys to Agent Fest Success:

  • Do your research. There will be eight agents attending and some will be a better fit for your writing than others. Be sure to study the list of agents and target those who handle your genre or interest.
  • Practice makes perfect. This is your chance to sell your book, so write it out, practice it and perfect your pitch. Use a stopwatch so you can keep time-and their attention!
  • Get expert advice. To help you prepare, we have a room with willing volunteers where you can practice. You can hone your pitch and get more comfortable with presenting live. You’ll also gain the confidence you need to make a great impression.

By Saturday evening, you will have added more tools to help you move forward on your writing journey.

Come join us!

REGISTER HERE!

Hands-on workshops: EDITING & REVISION, or NaNoWriMo BOOTCAMP!

MWW one-day conference to encourage you to move forward with your writing!

Midwest Writers Workshop’s Fall One-Day Conference is Saturday, October 5, 2019, 9:30 a.m.-4:30 p.m. at the Ball State Alumni Center, 2800 W. Bethel Ave., Muncie, Indiana. The cost for this one-day MWW Fall program is $155 and includes coffee (all day!) and lunch.

REGISTER HERE

We are offering TWO tracks of workshops for this MWW one-day conference to encourage you to move forward with your writing, take the next step, and improve your writing. TRACK 1 includes hands-on workshops on EDITING and REVISION. You can choose from three workshop sessions: Manuscript Makeover: Nonfiction, The Writing Life, or Revising Your Fiction. You will spend the day with the instructor and other writers who share your interest.

Or you can choose TRACK 2, an all-day workshop: NaNoWriMo Bootcamp! Participating in NaNoWriMo again this year? First time? Always meant to, but just never seemed to kick it in gear in time? This Bootcamp has the sure-fire inspiration and advice you need to make it happen this year. Prepare for November’s National Novel Writing Month with hands-on workshops on character development and plot. Your chances of drafting an entire novel increase exponentially when you spend some time preparing yourself for the journey ahead.

Track 1: Editing & Revision Workshops OR

Track 2: NaNoWriMo Bootcamp

TRACK 1:

Manuscript Makeover: Nonfiction – Holly Miller

Send us the first eight pages of your nonfiction work in progress by Sept. 18. Instructor Holly Miller—author of 15 books and more than 2,500 published articles—will edit your pages and use them to show strengths and weaknesses and to illustrate revision techniques and strategies for improvement. Writing exercises and marketing tips will round out the jam-packed (and fun) day. Send pages to midwestwriters@yahoo.com subject line Manuscript Makeover Nonfiction

The Writing Life – Larry Sweazy

That unfinished book is sitting in the drawer because you don’t have time to finish it. Life got in the way of your dream so you set it aside, promising to get back to it someday. Regardless of where you are on your path to fulfilling your writing dream, whether you write novels, short stories, or screenplays, you will encounter roadblocks, time drains, and the lack of energy and desire to finish what you started.

This is an intensive workshop that will help you focus on the time you need to write your masterpiece. This class will offer exercises, practical advice on where to find ideas, time management tips, and step-by-step guidelines that will encourage you to put writing at the top of your to-do list. The techniques taught in this class will apply to all genres and types of writing, and will prepare you to send your work out into the world. Bring a laptop or pen and paper and be prepared to write…with the clock ticking.

Revising Your Fiction – Lucrecia Guerrero

You’ve brought your creativity to bear and have completed a work of fiction. Now, it’s time to turn the analytical brain, and polish your little gem until it shines. Bring in your short story or novel chapter of up to fifteen pages. You are the one who will be revising your own work, so it’s important that you learn revision techniques. In this workshop, you’ll apply revision exercises to your own writing and receive feedback on the results. You’ll be reviewing the whole story, from the overall picture, to the protagonist’s motivation, down to the particular phrase or word. Print out at least one double-spaced hard copy of your manuscript in addition to bringing a copy on your favorite device. Come prepared to write and be a part of a supportive writing community!

TRACK 2:

NaNoWriMo Bootcamp – Sarah Schmitt

To prepare you for the fast moving and creative energy of NaNoWriMo and writing an entire novel in 30 days, Sarah presents these hands-on workshops include Character Development and Plot, and how to keep editing to a minimum. Your chances of finishing a first draft of a novel in November are greatly improved if you prepare in October.

SCHEDULE:

9:30 am – 10:00: Registration

10:00 – 10:15: Welcome

10:15 – 11:45

TRACK 1:

  • Manuscript Makeover: Nonfiction – Holly Miller
  • Where Do You Get Your Ideas? – Larry Sweazy
  • What’s It All About? – Lucrecia Guerrero

TRACK 2:

  • NanoWriMo: Character Development Workshop – Sarah Schmitt
    • Does your character’s eye color matter? Does he or she resent authority? Why? Character development is imperative for any story. This hands-on workshop will look at how a character’s past influences their actions in the present and where inspiration can be found to create a character as unique as the student writer. As a group we will develop a character to use in the second part of the boot camp. The remainder of the time will be used for each participant to begin developing their own characters.

11:45 am – 12:45 pm: Lunch/social time

12:45 pm – 2:00 pm

TRACK 1:

  • Manuscript Makeover: Nonfiction – Holly Miller
  • Finding Time to Write – Larry Sweazy
  • The Big Picture – Lucrecia Guerrero

TRACK 2:

  • NaNoWriMo: Plot – Sarah Schmitt
    • Building on the work done during the Character workshop, this session will focus on plot. Again, we will, as a group, plot on an entire story using Blake Snyder’s Save the Cat format. We’ll go through each of the fifteen beats as we craft an entire story line with just a genre.

2:15 – 3:00 pm

TRACK 1:

  • Holly Miller: Manuscript Makeover: Nonfiction – Holly Miller
  • The Publishing World Deconstructed – Larry Sweazy
  • A Closer Look – Lucrecia Guerrero

TRACK 2:

  • NaNoWriMo: Writing to Revise Tips – Sarah Schmitt
    • Creating an entire novel in 30 days means writing fast and keeping the editing to a minimum. In this session, learn how to satisfy your editorial brain while letting your creative side stay in the driver’s seat. Time permitting, there will be a Q&A session at the end.

3:15 – 4:15 pm: PANEL with all faculty: Larry Sweazy, Lucrecia Guerrero, Sarah Schmitt, Holly Miller

4:15 pm: Send off (with reminder of Agent Fest, March 13-14 & July 23-25, 2020)

FACULTY:

Author or co-author of eleven nonfiction books, four published novels, and 2,500 magazine short stories and articles, Holly Miller has led writing workshops from California to Massachusetts. A consulting editor to two national magazines and a judge for an annual fiction-writing contest, she holds communication degrees from Indiana University and Ball State University and has taught college writing classes for 25 years. Her how-to book, Feature & Magazine Writing, co-authored with colleague David Sumner, is in its third edition. Her greatest joy is helping unpublished writers break into print.

Larry D. Sweazy is a multiple-award winning author of fourteen Western and mystery novels, thirty-one short stories, and over sixty non-fiction articles and book reviews. Larry lives in Noblesville, Indiana with his wife, Rose, and is hard at work on his next novel. More information can be found at www.larrydsweazy.com.

Lucrecia Guerrero’s short stories have been published in numerous literary journals and have been anthologized in FANTASMAS: Stories of the Supernatural, Best of the West, and Not Like the Rest of Us. She was a co-author of “Coming Home,” a play celebrating Indiana’s bicentennial. Chasing Shadows, Chronicle Books, is her collection of linked short stories; and Tree of Sighs, Bilingual Press, a novel. Tree was awarded a Christopher Isherwood Fellowship Award and the Premio Aztlan Literary Award. Recently, the Indiana Humanities named her as one of the workshop facilitators for its “Writing Workshop Program.”

As a former K-8 school librarian and youth services profession for a public library, Sarah Schmitt has always enjoyed pushing books on unsuspecting teens. Now, as a YA author, she gets to write those stories. The author of It’s a Wonderful Death (Sky Pony Press), she uses her hallmark brand of humor to address serious topics facing teens. Sarah has taught at The Indiana Writer’s Center and presents interactive workshops at middle and high schools around the country. She particularly enjoys inspiring other writers to get involved with National Novel Writing Month through her NaNoWriMo Bootcamp program. Sarah has served on the selection committee for the William C. Morris YA Debut Award, Eliot Rosewater Indiana High School Book Award, Young Hoosier Book Award for Middle Grade and YALSA Teens Top Ten. She lives with her husband, two kidlets, and a ninja cat near Indianapolis, Indiana. You can follow her on Instagram @sarahjschmitt.

REGISTER HERE

 

Are you writing a mystery? Need help with a writing plan?

We look forward to welcoming Mary Carter – a Chicago-based, bestselling novelist and workshop leader at the Chicago Writer’s Loft – to MWW19 this July.

Mary’s works have been translated into a number of languages and include: Home With My Sisters, London From My Windows, Meet Me in Barcelona, Three Months in Florence, The Things I Do For You, The Pub Across the Pond, My Sister’s Voice, Sunnyside Blues, She’ll Take It, and Accidentally Engaged. In addition to her novels, she has written six novellas, two of which have been New York Times bestselling anthologies.

Readers and aspiring writers can check her out at MaryCarterBooks.com and thewritersloft.com, follow her on Twitter @marycarterbooks, or like her on Facebook at Mary Carter Books.

Mary also writes under the pen name Carlene O’Connor and is a USA Today bestselling author of “The Irish Village Mysteries.” To date, as Carlene O’Connor, she has written Murder in an Irish Village, Murder at an Irish Wedding, and Murder in an Irish ChurchyardMurder at an Irish Pub, and Murder in Galway. September 2019 will see the release of A Christmas Cocoa Murder. Readers can visit her at CarleneOConnor.net or Carlene O’Connor on Facebook.

Mary will be joining us as part of the MWW faculty for the first time. Her Thursday workshops include “Get a Clue: Setting the Mystery Scene” and “Not the Usual Suspect: Developing Characters for Your Mystery.” During Friday morning’s buttonhole session, she will lead discussions on “Words as Weapons.” And Friday afternoon, she will present “Plotting and Re-writing Your Mystery: Where the Magic Happens.”

Janis Thornton, long-time friend of Midwest Writers Workshop, caught up with Mary recently and interviewed her for this Q&A.

MWW:  According to your bio on the Fantastic Fiction website, you’re an actor! Please tell us a bit about how you’ve applied your acting techniques to writing, primarily in creating and building your characters.

MC/CC: 

I consider myself an ex-actor, although maybe there’s no such thing. When I finally took the writing course that I now teach, the light bulb went on as far as the connection between writing and acting. All the work I did on my characters as an actress now had to apply to all the characters in the story. Acting helped with scene study, dialogue, motivation, and most importantly feeling everything your characters are feeling. It was a fabulous foundation for my journey as a writer, and I believe sped up my development once I made the connections.

MWW:  When did you write your first cozy mystery, what led you to the genre, and what do you enjoy about writing them?

MC/CC: 

I wrote Murder in an Irish Village approximately five years ago. It was a request from my editor. He first asked if I would be interested in writing a murder mystery series for them set in England. I answered honestly, that I would have no idea how to do that -then added – but I could set in Ireland. I was in a parking lot of a grocery store in North Carolina. I had just moved there because I was tired of writing and working day jobs, so I Googled “cheapest, nicest places to live” and ended up in Wilmington, North Carolina. I will be honest. I never read “cozy” mysteries before that, unless you’re counting Agatha Christie as cozy. It’s the publishers that focus on genre. As a writer, there are times I’m given restrictions – i.e., there are reader expectations built into the genre of cozy mysteries, but then I had to write one that I would want to read. That isn’t a dig on the genre; I just wasn’t an avid reader of them, as I preferred gritty mysteries as a reader. I enjoy the challenge of sticking to those guidelines, but also stretching them, and creating a believable and compelling mystery within those guidelines.

MWW:  What is your biggest challenge in keeping your storylines and characters fresh?

MC/CC: 

Believe it or not, I haven’t run into that yet. I’ve been able to keep each mystery fresh by imagining scenarios that interest me. I employ change of seasons, new characters coming to town, new subjects – be it genealogy, or weddings, or poker games, and in the current one I’m writing, the characters venture a little outside of their hometown to shake things up a bit.

MWW:  How have your Irish ties influenced your writing, characters, and plotting?

MC/CC: 

Of course. All my years of research at Irish pubs in NYC paid off. And all my Irish friends, Irish exes, and Irish in the family line. It’s impossible to imagine the series set anywhere else, as setting and characters are such a deep part of the story. I’m sure I get things wrong that an Irish native would notice. I strive to learn from those mistakes with each book.

MWW:  What authors have inspired you?

MC/CC: 

Oh boy. I read everything I can get my hands on and that is a long list. I guess I’ll stick to mysteries. I like everyone from Tana French, Sue Grafton, Ann Cleeves, Raymond Chandler, John Grisham, Dennis Lehane, Jane Harper, Lisa Gardner, Tony Hillerman. I also love psychological thrillers. My TBR list is always piled high, and I read widely across genres. And now that I have author friends, I love all their books too.

MWW:  And lastly, what’s the best way for participants in your sessions to prepare, and what is the best new writing tip you want them to leave with?

MC/CC: 

No preparation needed, just an open mind, and a notebook, (or laptop), and I will leave them with a writing plan – the WOAES – that they can use the rest of their writing lives! Is that a little mysterious? A mini cliffhanger? I hope so!

MWW:  Thank you, Mary! We’re all looking forward to meeting you.

Register Today! Do this thing.

Click here to register.

 

Explore how to live a more creative life | with Melissa Fraterrigo | MWW19

Meet fiction author Melissa Fraterrigo

Melissa Fraterrigo is the author of the novel  Glory Days  (University of Nebraska Press, 2017) which was named one of the Best Fiction Books of 2017 by the  Chicago Review of Books ; she is also the author of the short story collection  The Longest Pregnancy  (Livingston Press). Her fiction and nonfiction have appeared in more than forty literary journals and anthologies from Shenandoah  and  The Massachusetts Review to story  South , and  Notre Dame Review . She teaches classes on the art and craft of writing at the Lafayette Writers’ Studio in Lafayette, Indiana.

During MWW19, July 25-26, Melissa will teach  The Write Start: Cultivating Creativity.”  In this session, Melissa explains, “You will learn how to turn your love for the written word into practical experience. Whether you are new to writing, have an idea you are interested in pursuing, or write regularly but need a reboot, in this class we will explore how to live a more creative life.”

On Friday morning, Melissa will teach  Finding Your Personal Essay Through Play” where participants will discover how form can be used to structure personal essays to reveal unexpected insights and create momentum through play. In the afternoon, she will present  Exploring the Novel-in-Stories.” She asks, ” What do  Olive Kitteridge  by Elizabeth Strout, Cathy Day’s  Circus in Winter  and  Winesburg, Ohio by Sherwood Anderson have in common?” The answer: All are novels-in-stories, existing between a collection of stories and a novel. Those attending this session will leave with a clear idea of possible linkages in their fiction and how to build upon these for their own linked collection.

MWW alum and volunteer Stephen Terrell asked Melissa a few interview questions to help us learn a bit more about her as a writer and faculty member.

MWW: When did you first know you wanted to be a writer?

MF: I have always loved writing and penned my first book when I was in the first grade. It was called “The Littlest Pukin” (I think I was inspired by “The Littlest Angel”; pukin was actually supposed to be pumpkin) and I can still remember how glorious I felt flipping the pages of my book, showing it to my parents. I always felt a kinship with words and stories and in many ways, I think I was destined to work with stories in some fashion; only it took me a long time to get to where I am. Despite that, I’ve got to say I have the best job in the world.

 

MWW: What is the Lafayette Writers Studio?  How did it come about? What do you want people to know about the Lafayette Writers Studio?

MF: I taught high school and junior high English for three years after earning my bachelor’s degree. My first job out of college was teaching high school English in a small town in downstate Illinois where the job prospects were few and many of my students were from families that were struggling both financially and emotionally. I really liked my students and loved talking to them about literature, but during that year my grandmother passed and I did some hard thinking about how I wanted to spend my own days. I hadn’t forgotten the desire to be a writer, only I didn’t know how to be a writer and also pay bills.

Somewhere during that first year I told myself to just start writing–just a little bit. I found the more I wrote, the more I enjoyed it. That summer I took at class at the University of Illinois at Chicago–my first fiction class–and met two other women who were also interested in fiction and poetry. For three years we met on a monthly basis to share work with one another and offer each other feedback. I have no doubt that without their support I would not be where I am today. Writers need other writers, and these two friends provided the support and encouragement I so desperately desired.

I love my parents with all my heart, but they were children of parents who survived the Depression. Working toward a degree that would get you a job, which in turn would pay some solid salary mattered more than doing work that fulfilled. Fortunately, I listened to my gut and kept writing, following the thrum of excitement I felt each time I drafted a new story or had an idea for a piece.

I attended Bowling Green State University and met a fantastic cohort of writers and instructors of writing–most of whom I’m in contact with today. This community of writers was essential for building the “literary family” that I craved–folks who were also driven to create worlds from their imaginations. We encouraged each other and continue to do so.  I taught at Southern Utah University, Penn State Erie–all the while working on fine-tuning my short story collection, The Longest Pregnancy was published in 2006. With time, I shifted into freelance writing for different universities. However, I still missed teaching and three years ago established the Lafayette Writers’ Studio to combine my love for teaching with my desire to help others tell their stories. I started my forthcoming novel, Glory Days a few years before I opened the studio.

The Lafayette Writers’ Studio is a place where writers of all experiences and backgrounds can learn about the art and craft of writing in an intimate, encouraging environment. We offer a range of classes from one-night intensives to workshops that last several weeks. It’s really a wonderful place with amazing students from all walks of life.

 

MWW: Working at the Lafayette Writers Studio, what are the three biggest suggestions you have for writers looking to improve their craft?

MF: I encourage writers to read like a writer, and approach texts seeking answers to the questions they have about their own work and craft in general. Every writer is different and as such, no one approach is going to help each and every writer get words on the page. As a result, I encourage students to take the time to get know themselves and their process.

 

MWW: Can you compare the process you go through in writing a short story compared to a novel? What makes one story more appropriate for a short story and another suitable for a more extensive treatment in a novel?

MF: My first book,   The Longest Pregnancy,   was published in 2006. About 1/3 of the book was written as part of my graduate thesis at Bowling Green State University. The stories really were stand alone pieces and I was nearly finished with the book before I started to see how they might fit together. I started my novel,  Glory Days   a few years before I opened the Lafayette Writers’ Studio and the first chapter I wrote for the book–“Teensy’s Daughter” actually appears ¾ of the way through the book. I initially thought I was just writing a story, only after I finished drafting “Teensy’s Daughter” I continued to think about three of the characters–Gardner, Teensy, and his daughter Luann. So I wrote another story with Gardner and Teensy at a much earlier part in their lives and found that I still had more to uncover. I was absolutely fascinated by these characters and once I realized how the town of Ingleside was a part of the conflict of the book, I knew there was a whole novel to be unearthed. So to answer your question, I really think it begins with the author’s own interest in the story and whether it can be sustained.

 

MWW: How do you channel real life experiences in your fiction – or do you? 

MF: I keep a small notebook with me at all times and jot down ideas whenever they strike–it could be an arresting image or a word or lately, a lot of memories from my own childhood. Some writers call this rich content “composting.” Just like you might mix together certain ingredients to make a soil healthy, you can use elements of your life and what you find interesting to create memorable characters and situations.

 

MWW: What are the most satisfying aspects of writing for you? Conversely, what are the most frustrating or difficult aspects of being a writer, and how do you cope with those issues.

MF: I love revision, I love the thrum of a new idea, I find structure immensely satisfying and there is nothing better than discovering a new writer who fuels my work. Yet the days are long and can be rather lonely. It’s important to surround yourself with other writers who can support and encourage you when the work isn’t going the way you initially envisioned.

 

MWW: I’ve seen Glory Days referred to as “Fly Over Fiction,” a term I’ve heard applied to other writing about middle America. Yet when I look at the wish list of literary agents, I never see “flyover” or “middle America” mentioned. Given that this is the Midwest Writers Workshop, do you think there is a place in the current fiction market for “flyover fiction”, that is, fiction that has its roots in the people, places, challenges and values of middle America? 

MF: I actually think there is an increasing interest in the Midwest as a place with its own identity, culture and values, which is quite separate from the coasts. That being said, I don’t sense that flyover fiction or Midwest literature is a concern of the big publishing houses. But smaller indie presses such as Nebraska University Press , Graywolf, Coffee House Press do not offer huge advances and therefore don’t have the same constraints as large publishing houses so they can pursue topics and approaches that appeal to different audiences, and this includes a newfound interest in work that is often overlooked such as flyover fiction.

 

MWW: Rejection is the most common shared experience among most writers. Do you have any advice for dealing with rejection from publications, agents or publishers? 

MF: I think it’s always important to keep in mind why you are writing. Are you writing because you want to become rich and famous? Are you writing to prove to your high school English teacher that you had more potential than the C- he gave you your sophomore year? While all of us dream of sharing our work with a wide audience, I think it’s much more realistic to think that the results of our efforts may not play out the way we imagine. The work you do must be the reward–publication, awards, all of those moments when you and your work are in the spotlight are fleeting. But the work is with you for the long haul. Try not to focus to much on those outside forces you cannot control and instead honor your relationship with your craft and your writing.

 

MWW: What is the best piece of advice you have ever been given about being a writer or about life in general?   What was the worst?

MF: Read everything you can get your hands on and don’t just read your genre–everyone should read poetry! Write! Put yourself on a writing schedule and commit to writing regularly. Even if you are only sitting at your desk twiddling your thumbs, the longer you sit there, the more ideas will come to you. As you begin to take note of those thoughts by jotting them down or mulling them over in your mind, your brain will send you even more ideas. Writing begins with paying attention to your world and your surroundings and choosing to be curious with your own thoughts and reflections. I think writing helps you be your best self-at least that’s what it continues to do for me.

 

MWW: Any last thoughts or comments that you want to share with those considering the MWW19?

MF: Come write with us!

Come to MWW19 and meet Melissa! Register here.

Pitch to Joanna MacKenzie at the MWW Agent Fest

Meet Joanna MacKenzie, literary agent with Nelson Literary Agency  

Joanna MacKenzie joined Nelson Literary Agency in 2017 and is building a list of adult titles in the areas of mystery, thriller, and commercial women’s fiction as well as select young adult passion projects. She loves creepy islands, mysteries set in close-knit communities (if those communities happen to be in the Midwest, all the better), and fierce mom heroines. Joanna is looking for smart and timely women’s fiction where the personal intersects with the world at large, think Emily Giffin’s All We Ever Wanted or Camille Perri’s The Assistants.

Joanna’s Wish List:

Her list includes: mysteries, atmospheric thrillers, women’s fiction, moms with secret lives, anything set on a creepy island (or any island, really), midwestern-set mysteries/thrillers/fiction, re-invention stories (She’d love to find more about women in their 40s and 50s reinventing themselves following tragedy or break-ups). She’d also love to find a Beaches redux (aka friendship stories).

MWW Board Member Dianne Drake interviewed Joanna about her life as an agent and about coming to MWW Agent Fest.

MWW: Could you give us a little background of the agency you represent and the overall philosophy or focus of your agency?

JM: Nelson Literary Agency was found by Kristin Nelson in 2002. We are a full-service agency and though we may look like a boutique agency, we don’t operate like one. We have amazing support staff who, for example, tackle things like royalty statement review and contracts, so agents can focus on their authors.

 

MWW: Because you primarily represent fiction, what makes fiction masterful in your eyes? 

JM: For me, masterful fiction has voice and a sense of place. I want to get swept away, no matter what the genre, and transported to a new locale and I want to go on that adventure with a fascinating host.

 

MWW: Besides “good writing,” what are you looking for right now and not getting? What do you pray for when tackling the slush pile? Conversely, what are you tired of seeing? 

JM: I’m actually getting a lot of great stuff right now! So please keep it coming. I’m always down to confident voice, even if, and sometimes especially if, that voice is unexpected and new to me.  When I pray to the slush pile deity, I specifically ask for the next Tana French.  Or the next  All We Ever Wanted by Emily Giffin or the next  Station Eleven by Emily St. John Mandel. Personally, I’m a little tired of drunk cops down on their luck. I think there’s a fresh way to approach this character.

 

MWW: As an agent who’s being pitched, what do you want to hear in the allotted time? What don’t you want to hear?

JM: I want to hear a clear statement on what I’m being pitched, even if it’s wrong. Tell me you’ve written an 80,000 word thriller that will appeal to fans of Gone Girl, rather than an 80,000 word novel that might be a thriller, but could be women’s fiction and will appeal to everyone who has ever picked up a book. It’s up to me, ultimately, to decide if your comps are right, but I want to hear the clear idea.

 

MWW: What, in general, should a person do to make a good impression during a pitch session and what, specifically, should she/he do to impress you? And, if you like, what doesn’t impress you at all?  

JM: I love it when authors can place their manuscripts on a shelf for me, when they tell me of comparable titles.

 

MWW: Any other advice?

JM: Practice and don’t be nervous. Easier said than done, I know, but I’m here to help and to listen. And I’m a nice Canadian, now Midwestern, person. Also, don’t be afraid to ask questions. It’s rare to have face to face time with an agent.

 

MWW: Also, what do you represent, and do you have preferences within that list? 

JM: I represent commercial adult fiction in the areas of women’s fiction, mysteries and thrillers, as well as select young adult projects. Right now, I’m drawn to female stories of reinvention (women on their second or third acts or finding new direction after a life-altering event); moms with secret lives (think Weeds); and women pushed to the limit who push back (think Widows).  I’m also a fan of Midwest stories as well as creepy islands.

 

Come to the Agent Fest and pitch to Joanna!

Read more about the MWW Agent Fest: May 10-11, 2019.

Register Today!

Click here to register.

Friday 1:00 pm through Saturday 5:00 pm. {$249 / $289 after 4/1/19}

Prepare. Pitch. Publish. #preppitchpub

You want agents. We’ve got agents.

5 ways to rock your writing

Registration for MWW19 is now available!

Here are FIVE ways to rock your writing by coming to MWW19, July 25-27, 2019:

ENJOY NETWORKING OPPORTUNITIES

This is a chance to find your tribe. Network between or during sessions, over lunch, and of course at the evening activities.

 

GET MENTORED BY THE BEST

Learn from a faculty with award-winning bestsellers who will help refine your work and propel your career. Check out the faculty bios.

 

CREATE YOUR IDEAL EXPERIENCE

Choose from dozens of breakout sessions. Stretch yourself and select sessions outside of your comfort zone! Check out the schedule.

 

HONE YOUR FIRST 10 PAGES

The Saturday Intensives offer hands-on editing for your fiction or nonfiction manuscripts.

 

DEVELOP A STRATEGIC LAUNCH PLAN FOR YOUR WORK

Saturday Bootcamp with Jane Friedman, for published authors or about-to-be-published authors, will help you come up with an action plan.

 

Come for the creative energy that is MWW19…

  • Choose Your Genre: YA, Mystery, Middle Grade, Nonfiction, Poetry, Essay, Feature Writing
  • Fortify Your Writing: Editing and Revision, Cultivate Creativity, Form a Writing Habit, Research
  • Cross the Finish Line: Author Platform and Career Development Bootcamp
  • Manuscript Makeovers: Fiction, Nonfiction, Mystery, Romance, plus Nonfiction Book Proposal Workshop

Sometimes you just need to be surrounded by your people, to work on your craft, to get energized.

Come.

See what happens!

What writing will you produce after you leave? What friends will you make to hold you accountable? What impact will you give have on others in the writing community?

**MWW began in 1973 and has years of experience helping writers move forward in their writing journey.**

MWW hotel group rates available.

Register Today!

THREE-DAY: Thursday-Saturday, July 25-27, 2019

  • $399 [includes: Thursday reception, Friday & Saturday morning refreshments, lunches]
  • THREE-DAY REGISTRATION HERE.

TWO-DAY: Thursday-Friday, July 25-26, 2019

  • $289 [includes: Thursday reception, Friday morning refreshments, lunch]
  • TWO-DAY REGISTRATION HERE.

ONE-DAY: Saturday, July 27, 2019. [Intensive Sessions; small class, six-hour master session with an expert]

  • $155 [includes: morning refreshments and lunch]
  • ONE-DAY REGISTRATION HERE

Pitch to Brenna English-Loeb at the MWW Agent Fest!

Meet Brenna English-Loeb, literary agent with Transatlantic Literary Agency  

Brenna English-Loeb comes to the Transatlantic Literary Agency after working for several years at Janklow & Nesbit Associates and Writers House, where she had the pleasure of working with New York Times bestselling and award-winning authors across multiple genres. At TLA she’s excited to grow her list of speculative and suspenseful fiction in both YA and adult, as well as adult nonfiction, in collaboration with senior agents.

Raised on an eclectic blend of Jane Austen, Terry Pratchett and Ursula K Le Guin, Brenna has always gravitated to unique stories with a strong point of view. Aspects of a work that are sure to catch her eye include: evocative atmospheres, character-driven plots, a sense of adventure, and narratives that reveal a deep knowledge of a particular subject. She also loves old tropes made new again, unreliable narrators, and power imbalances.

Brenna’s Wish List:

She is specifically looking for works of YA and adult science fiction, fantasy, and suspense, as well as some adult literary fiction. She loves space operas, myth and fairy tale retellings, survival stories, epistolary novels, and heists. She also has a soft spot for stories that blend multiple genres and for works by and about underrepresented groups and identities. For nonfiction, Brenna is looking for serious, groundbreaking sociological work that holds our culture up to the magnifying glass. She also loves accounts of historical events and people that deserve to be better known, as well as unusual and influential object histories.

MWW Board Member Julie Tuttle Davis interviewed Brenna about her life as an agent and about coming to MWW Agent Fest.

MWW: According to your bio you represent YA and adult science fiction, fantasy, and suspense, and some adult literary fiction. What are you looking for right now and not getting? Conversely, what are you tired of seeing? 
BEL: I would really love to see more westerns, but ones that center on nonwhite characters or are set elsewhere than the American West. And if there’s some magic or a really good mystery in there, so much the better. I’m also looking for own voices, YA KPop stories.
I’ve been getting a glut of YA fantasies and political thrillers, and I’m just not in a place to engage with any more of them right now. Another turn off for me is anything with angels and demons, particularly if they’re also romances.
MWW: When you tackle the slush pile, what are you looking for in a query letter?
BEL: The biggest thing I’m looking for is clarity. After reading a query letter, I should know the story’s premise and main characters and the author’s writing history/bio. It doesn’t have to be very long or more complex than that. I think a lot of people get flustered by trying to be friendly or make their manuscript sound as exciting as possible, but unfortunately what often happens is that I don’t understand what you’re trying to sell me on.
MWW: What makes you keep reading (or stop reading) a manuscript?
BEL: There are two things that will keep me from continuing to read. The first is if I’m having trouble caring about the characters, whether because they’re not well-developed or just because they’re not clicking with me. The second issue that stops me is when the plot and character relationships stagnate. I need to see that they’re headed somewhere in particular and not just reacting to isolated events.
MWW: Is there something out now or coming out soon that you’re excited about?
BEL: I just read The Raven Tower by Ann Leckie, which is amazing. Once again, she’s managed to upend our expectations of a genre and I can’t wait for everyone else to read it. I’m also looking forward to diving into King of Scars by Leigh Bardugo and revisiting some of the characters from her Grisha Trilogy.
MWW: Any final advice for writers seeking an agent at MWW Agent Fest?
BEL: Don’t try to force it. You’re interviewing an agent as much as they’re interviewing you, and not everyone is going to be the right fit for you and your work, regardless of what they think! Having a clear idea of what you need in an agent will help everyone involved.

Come to the Agent Fest and pitch to Brenna!

Read more about the MWW Agent Fest: May 10-11, 2019.

Register Today!

Click here to register.

Friday 1:00 pm through Saturday 5:00 pm. {$249 / $289 after 4/1/19}

Prepare. Pitch. Publish. #preppitchpub

You want agents. We’ve got agents.