Pitch to Joanna MacKenzie at the MWW Agent Fest

Meet Joanna MacKenzie, literary agent with Nelson Literary Agency  

Joanna MacKenzie joined Nelson Literary Agency in 2017 and is building a list of adult titles in the areas of mystery, thriller, and commercial women’s fiction as well as select young adult passion projects. She loves creepy islands, mysteries set in close-knit communities (if those communities happen to be in the Midwest, all the better), and fierce mom heroines. Joanna is looking for smart and timely women’s fiction where the personal intersects with the world at large, think Emily Giffin’s All We Ever Wanted or Camille Perri’s The Assistants.

Joanna’s Wish List:

Her list includes: mysteries, atmospheric thrillers, women’s fiction, moms with secret lives, anything set on a creepy island (or any island, really), midwestern-set mysteries/thrillers/fiction, re-invention stories (She’d love to find more about women in their 40s and 50s reinventing themselves following tragedy or break-ups). She’d also love to find a Beaches redux (aka friendship stories).

MWW Board Member Dianne Drake interviewed Joanna about her life as an agent and about coming to MWW Agent Fest.

MWW: Could you give us a little background of the agency you represent and the overall philosophy or focus of your agency?

JM: Nelson Literary Agency was found by Kristin Nelson in 2002. We are a full-service agency and though we may look like a boutique agency, we don’t operate like one. We have amazing support staff who, for example, tackle things like royalty statement review and contracts, so agents can focus on their authors.

 

MWW: Because you primarily represent fiction, what makes fiction masterful in your eyes? 

JM: For me, masterful fiction has voice and a sense of place. I want to get swept away, no matter what the genre, and transported to a new locale and I want to go on that adventure with a fascinating host.

 

MWW: Besides “good writing,” what are you looking for right now and not getting? What do you pray for when tackling the slush pile? Conversely, what are you tired of seeing? 

JM: I’m actually getting a lot of great stuff right now! So please keep it coming. I’m always down to confident voice, even if, and sometimes especially if, that voice is unexpected and new to me.  When I pray to the slush pile deity, I specifically ask for the next Tana French.  Or the next  All We Ever Wanted by Emily Giffin or the next  Station Eleven by Emily St. John Mandel. Personally, I’m a little tired of drunk cops down on their luck. I think there’s a fresh way to approach this character.

 

MWW: As an agent who’s being pitched, what do you want to hear in the allotted time? What don’t you want to hear?

JM: I want to hear a clear statement on what I’m being pitched, even if it’s wrong. Tell me you’ve written an 80,000 word thriller that will appeal to fans of Gone Girl, rather than an 80,000 word novel that might be a thriller, but could be women’s fiction and will appeal to everyone who has ever picked up a book. It’s up to me, ultimately, to decide if your comps are right, but I want to hear the clear idea.

 

MWW: What, in general, should a person do to make a good impression during a pitch session and what, specifically, should she/he do to impress you? And, if you like, what doesn’t impress you at all?  

JM: I love it when authors can place their manuscripts on a shelf for me, when they tell me of comparable titles.

 

MWW: Any other advice?

JM: Practice and don’t be nervous. Easier said than done, I know, but I’m here to help and to listen. And I’m a nice Canadian, now Midwestern, person. Also, don’t be afraid to ask questions. It’s rare to have face to face time with an agent.

 

MWW: Also, what do you represent, and do you have preferences within that list? 

JM: I represent commercial adult fiction in the areas of women’s fiction, mysteries and thrillers, as well as select young adult projects. Right now, I’m drawn to female stories of reinvention (women on their second or third acts or finding new direction after a life-altering event); moms with secret lives (think Weeds); and women pushed to the limit who push back (think Widows).  I’m also a fan of Midwest stories as well as creepy islands.

 

Come to the Agent Fest and pitch to Joanna!

Read more about the MWW Agent Fest: May 10-11, 2019.

Register Today!

Click here to register.

Friday 1:00 pm through Saturday 5:00 pm. {$249 / $289 after 4/1/19}

Prepare. Pitch. Publish. #preppitchpub

You want agents. We’ve got agents.

5 ways to rock your writing

Registration for MWW19 is now available!

Here are FIVE ways to rock your writing by coming to MWW19, July 25-27, 2019:

ENJOY NETWORKING OPPORTUNITIES

This is a chance to find your tribe. Network between or during sessions, over lunch, and of course at the evening activities.

 

GET MENTORED BY THE BEST

Learn from a faculty with award-winning bestsellers who will help refine your work and propel your career. Check out the faculty bios.

 

CREATE YOUR IDEAL EXPERIENCE

Choose from dozens of breakout sessions. Stretch yourself and select sessions outside of your comfort zone! Check out the schedule.

 

HONE YOUR FIRST 10 PAGES

The Saturday Intensives offer hands-on editing for your fiction or nonfiction manuscripts.

 

DEVELOP A STRATEGIC LAUNCH PLAN FOR YOUR WORK

Saturday Bootcamp with Jane Friedman, for published authors or about-to-be-published authors, will help you come up with an action plan.

 

Come for the creative energy that is MWW19…

  • Choose Your Genre: YA, Mystery, Middle Grade, Nonfiction, Poetry, Essay, Feature Writing
  • Fortify Your Writing: Editing and Revision, Cultivate Creativity, Form a Writing Habit, Research
  • Cross the Finish Line: Author Platform and Career Development Bootcamp
  • Manuscript Makeovers: Fiction, Nonfiction, Mystery, Romance, plus Nonfiction Book Proposal Workshop

Sometimes you just need to be surrounded by your people, to work on your craft, to get energized.

Come.

See what happens!

What writing will you produce after you leave? What friends will you make to hold you accountable? What impact will you give have on others in the writing community?

**MWW began in 1973 and has years of experience helping writers move forward in their writing journey.**

MWW hotel group rates available.

Register Today!

THREE-DAY: Thursday-Saturday, July 25-27, 2019

  • $399 [includes: Thursday reception, Friday & Saturday morning refreshments, lunches]
  • THREE-DAY REGISTRATION HERE.

TWO-DAY: Thursday-Friday, July 25-26, 2019

  • $289 [includes: Thursday reception, Friday morning refreshments, lunch]
  • TWO-DAY REGISTRATION HERE.

ONE-DAY: Saturday, July 27, 2019. [Intensive Sessions; small class, six-hour master session with an expert]

  • $155 [includes: morning refreshments and lunch]
  • ONE-DAY REGISTRATION HERE

Pitch to Brenna English-Loeb at the MWW Agent Fest!

Meet Brenna English-Loeb, literary agent with Transatlantic Literary Agency  

Brenna English-Loeb comes to the Transatlantic Literary Agency after working for several years at Janklow & Nesbit Associates and Writers House, where she had the pleasure of working with New York Times bestselling and award-winning authors across multiple genres. At TLA she’s excited to grow her list of speculative and suspenseful fiction in both YA and adult, as well as adult nonfiction, in collaboration with senior agents.

Raised on an eclectic blend of Jane Austen, Terry Pratchett and Ursula K Le Guin, Brenna has always gravitated to unique stories with a strong point of view. Aspects of a work that are sure to catch her eye include: evocative atmospheres, character-driven plots, a sense of adventure, and narratives that reveal a deep knowledge of a particular subject. She also loves old tropes made new again, unreliable narrators, and power imbalances.

Brenna’s Wish List:

She is specifically looking for works of YA and adult science fiction, fantasy, and suspense, as well as some adult literary fiction. She loves space operas, myth and fairy tale retellings, survival stories, epistolary novels, and heists. She also has a soft spot for stories that blend multiple genres and for works by and about underrepresented groups and identities. For nonfiction, Brenna is looking for serious, groundbreaking sociological work that holds our culture up to the magnifying glass. She also loves accounts of historical events and people that deserve to be better known, as well as unusual and influential object histories.

MWW Board Member Julie Tuttle Davis interviewed Brenna about her life as an agent and about coming to MWW Agent Fest.

MWW: According to your bio you represent YA and adult science fiction, fantasy, and suspense, and some adult literary fiction. What are you looking for right now and not getting? Conversely, what are you tired of seeing? 
BEL: I would really love to see more westerns, but ones that center on nonwhite characters or are set elsewhere than the American West. And if there’s some magic or a really good mystery in there, so much the better. I’m also looking for own voices, YA KPop stories.
I’ve been getting a glut of YA fantasies and political thrillers, and I’m just not in a place to engage with any more of them right now. Another turn off for me is anything with angels and demons, particularly if they’re also romances.
MWW: When you tackle the slush pile, what are you looking for in a query letter?
BEL: The biggest thing I’m looking for is clarity. After reading a query letter, I should know the story’s premise and main characters and the author’s writing history/bio. It doesn’t have to be very long or more complex than that. I think a lot of people get flustered by trying to be friendly or make their manuscript sound as exciting as possible, but unfortunately what often happens is that I don’t understand what you’re trying to sell me on.
MWW: What makes you keep reading (or stop reading) a manuscript?
BEL: There are two things that will keep me from continuing to read. The first is if I’m having trouble caring about the characters, whether because they’re not well-developed or just because they’re not clicking with me. The second issue that stops me is when the plot and character relationships stagnate. I need to see that they’re headed somewhere in particular and not just reacting to isolated events.
MWW: Is there something out now or coming out soon that you’re excited about?
BEL: I just read The Raven Tower by Ann Leckie, which is amazing. Once again, she’s managed to upend our expectations of a genre and I can’t wait for everyone else to read it. I’m also looking forward to diving into King of Scars by Leigh Bardugo and revisiting some of the characters from her Grisha Trilogy.
MWW: Any final advice for writers seeking an agent at MWW Agent Fest?
BEL: Don’t try to force it. You’re interviewing an agent as much as they’re interviewing you, and not everyone is going to be the right fit for you and your work, regardless of what they think! Having a clear idea of what you need in an agent will help everyone involved.

Come to the Agent Fest and pitch to Brenna!

Read more about the MWW Agent Fest: May 10-11, 2019.

Register Today!

Click here to register.

Friday 1:00 pm through Saturday 5:00 pm. {$249 / $289 after 4/1/19}

Prepare. Pitch. Publish. #preppitchpub

You want agents. We’ve got agents.

Pitch to Savannah Brooks at the MWW Agent Fest

Meet Savannah Brooks, literary agent with Jennifer De Chiara Literary Agency

Savannah Brooks joined the Jennifer De Chiara team in 2018, after interning for a year and a half. She’s a nonfiction MFA candidate at Hamline University and earned her BS in marketing management from Virginia Tech. As well as agenting, she works as an editor at Red Bird Chapbooks, as a teaching artist at the Loft Literary Center, and as a reader for multiple literary magazines. Her own creative work has been publishing in Barely South Review, Hobart, Lime Hawk, and Every Writer’s Resource, among others. When not immersed in the world of words, she can be found on her motorcycle, at her boxing gym, or lounging at one of Minnesota’s 10,000 lakes. She lives in the most beautiful literary capital: Saint Paul. Follow her @slbrooks91.

Savannah’s Wish List:

For YA, she’s interested in books that focus on friendship, conflicting identity, and the theme of truth. She’s always drawn in by a protagonist venturing into a realm where society says they don’t belong (think swapping gender norms), and characters with weird obsessions. She’s all about magical realism, mythology, and modern retellings (but not high fantasy or science fiction). She’s invested in representing the diverse world in which we live and would like to see that reflected in a cast of characters. Show her variations in race, sexuality, gender, dis/ability, and ethnicity without that difference being a point of contention.

For adult fiction, she’s interested in contemporary/literary novels/stories that are relevant to culture and focus on themes and issues that impact our daily lives. She loves a meaty cast and am drawn in by the fine line between humor and depth (think Liane Moriarty’s Nine Perfect Strangers). She would love to hear more from marginalized voices, regardless of whether or not marginalization is a central theme.

She’d love to bring more nonfiction into this world, especially topic-driven books/essays such as those written by the likes of Mary Roach, Leslie Jamison, Michelle McNamara, Malcolm Gladwell, and Bill Bryson. She’s also interested in memoir that will inspire generations to come—H is for Hawk is a personal favorite—and interested in humor that does more than just make her laugh—see: Priestdaddy by Patricia Lockwood.

MWW Board Member Marissa Rose interviewed Savannah about her life as an agent and about coming to MWW Agent Fest.

MWW: What’s something that comes out soon that you’re excited about? 

SB: I’m cheating a bit with this one because the book has already come out, but Angie Thomas’s new YA novel, On the Come Up, is on my immediately-to-read list. It just arrived on my doorstep the other day, and I can’t wait to crack it open.

MWW: Besides “good writing,” what are you looking for right now and not getting? What do you pray for when tackling the slush pile? 

SB: I really want to see more teenagers (and all characters, really) who are engaged in things outside of school. Not just sports (although sports are good too) but maybe a weird hobby or job. Or maybe they’re deeply embedded in a culture or community otherwise inaccessible to some readers. As a poster child of innate human curiosity, I want to learn about something new while I’m reading.

MWW: What are you tired of seeing? 

SB: YA novels where either the establishment of high school or the parents are the ultimate evil. Both high school and parents have an intense psychological impact on teenagers, and that impact can be negative, no doubt, but those relationships are always more nuanced than that of a hero and villain. For adult fiction, I’m tired of characters whose entire persona relies on other characters or on the plot. I want a narrator to be able to stand on his/her/their own.

MWW: What questions should a writer coming to Midwest Writers Agent Fest ask an agent who is offering representation? 

SB: Seeking representation is ultimately seeking someone to nurture and grow your professional development as a writer. So asking questions that move past the business logistics of writing and selling and get more at the ways you would work together and the future of your career are really telling for finding the best fit.

Come pitch to Savannah!

Read more about the MWW Agent Fest: May 10-11, 2019.

Register Today!

Click here to register.

Friday 1:00 pm through Saturday 5:00 pm. {$249 / $289 after 4/1/19}

Prepare. Pitch. Publish. #preppitchpub

You want agents. We’ve got agents.

 

Pitch to literary agent Noah Ballard at the MWW Agent Fest!

Meet Noah Ballard, literary agent with Curtis Brown, Ltd. 

Noah Ballard is an agent at Curtis Brown, Ltd. He studied creative writing at the University of Nebraska-Lincoln and began his career in publishing at Emma Sweeney Agency. Noah focuses on literary fiction, short story collections and narrative non-fiction, including memoir, journalism and pop culture. Noah has appeared at graduate writing programs and writers’ conferences across the country speaking about query letters, building nonfiction platforms and submission etiquette. A New Jersey native, Noah currently lives in Brooklyn.

MWW Board Member Larry Sweazy interviewed Noah about his life as an agent and what he’s looking for on his Manuscript Wish List.

MWW: All writers were voracious readers before they became writers. It seems this would be true of agents, too. Can you tell us about a book, or books, that affected you, and influenced your choice to become an agent?

NB: I don’t know that I agree with the premise of the question, that writers are all voracious readers. I think all successful writers are voracious readers, especially of contemporary authors. It’s pretty amazing, however, the amount of writers who pitch me work who haven’t read a book that’s been published in the past ten years.

As a college student, I was drawn to so-called transgressive fiction. From Charles Bukowski to John Fante up to Bret Easton Ellis and Jay McInerney. That’s a pretty easy space to be excited by as a middle-class, White student, when bad behavior (by White men) seems controversial. And I suppose it is, compared to the boring (White, male) authors I read in high school. But as I reached the end of college, I also discovered James Baldwin and Evan S. Connell and Bernard Malamud and Joan Didion, etc., etc. That’s where the real controversy of American late 20th century literature lives, and I am inspired by authors who seem themselves as following in those traditions.

MWW: What makes a query stand out?

NB: In terms of the actual letter: professionalism. Many authors make the mistake of writing the letter with a lot of voice, or waxing unnecessarily poetic or, worse, attempting to appeal to my sympathy. I’m looking for a writer who will collaborate and be a savvy business partner, not someone who doesn’t know how to write a professional e-mail. Why would I risk my reputation for such a person?

In terms of the writing sample, which I always ask be included in the query, there I’m looking for voice and confidence. Tell me a story in a way I haven’t heard it before and be brave in the telling.

MWW: What are the most important questions should a new writer ask an agent?

NB: “What is your vision for the publication of my book?” “What editorial work do I need to do before the book can be submitted to editors?” “Which editors do you have in mind?” “What is your working style?” “Does your agency represent translation and film/TV rights?” “Are you a member of the Association of Authors’ Representatives?” “Do you only expect payment once you’ve sold my book?” (The latter must an unconditional YES!)

MWW: With the publishing industry in a constant state of change, are you encouraged about the future of publishing?

NB: Publishing has allegedly been dying for 100 years. (The novel is dead; long live the novel!) But the truth is people need stories, and the medium continues to grow and change and evolve. Authors have to be bigger advocates for themselves than ever before, but I don’t know that that’s a bad thing. There are things that frustrate me, for sure. Mostly the myopia of how books are marketed and publicized. But a generation of young people-both on the business side and on the creative side-are rallying to celebrate more diverse authors, more controversial ideas, more unexplored stories. That’s as exciting and as scary as our current political moment.

MWW: What kind of projects will you be looking for at MWW Agent Fest?

NB: Intelligent, diverse, ruthless, unapologetic literary fiction. Plucky, confrontational, progressive, emotionally-driven non-fiction, especially memoir and pop culture.

Come pitch to Noah!

Read more about the MWW Agent Fest: May 10-11, 2019.

Register Today!

Click here to register.

Friday 1:00 pm through Saturday 5:00 pm. {$249 / $289 after 4/1/19}

Prepare. Pitch. Publish. #preppitchpub

You want agents. We’ve got agents.

Taxes for Writers | MWW Ongoing course

Are you earning money from your writing? Do you need help with tax deductions and record keeping?

If you answered YES, then this MWW Ongoing course is for you!

Author and CPA Carol Topp claims she can explain federal income tax, self-employment tax and sales tax in clear English. Let’s hear her try! She will explain tax deductions and record keeping tips to make your life easier. This course is not as dull as it sounds and loaded with examples!
In this course you will learn:
  • Know what tax forms you (or your tax preparer need to file)
  • Have the IRS tax forms explained in plain English
  • See a sample tax return for an author
  • Know what tax deductions are typical for writers
  • Tax tips from a CPA and author
  • Understand what forms you need to send to subcontractors
  • Know when you need to charge sales tax and when you don’t!
  • Be alert to IRS red flags that could trigger and audit

This course is for writers who are earning money from their writing or have expenses related to writing and wonder what they can deduct on their tax return. This is professional advice from a CPA and author at a great rate!

Format: Two instructional videos (about 45 minutes each) that you can watch on your own time, at your own convenience. Once you have registered, the entire course will be available to you until April 15, 2019, to access at any time you wish. Plus, downloadable pdfs of handouts of the PowerPoint slides.

Register Today! Click HERE to register.
Cost: $65
Students will have instant access to the videos (until April 15, 2019) once they register, as well as to a private Facebook group (MWW + Taxes for Writers) or Facebook live session to ask questions of the presenter.

About the Instructor

Carol Topp, CPA is an author and Certified Public Accountant. Carol’s fourteen books have been both self-published and traditionally published. She advises writers on starting a business and running it successfully. She is the author of Business Tips and Taxes for Writers and contributing author to Writers Market and the Writer’s Digest Guide to Indie Publishing. Her website is TaxesForWriters.com

MWW Agent Fest, May 10-11, 2019

Prepare. Pitch. Publish. #preppitchpub
You want agents. We’ve got agents.

MWW Agent Fest: May 10-11, 2019

Friday 1:00 pm through Saturday 4:30 pm. {$249 / $289 after 4/1/19}

Here’s an opportunity to pitch your book directly to vaunted agents in search of new voices! Advocate for your book in a high-energy environment, and you might just become another MWW success story.

Connect with literary agents who are actively searching for the next big thing across all genres including fiction, nonfiction, children’s, young adult and more. During the Agent Fest, you’ll have a chance to meet agents one-on-one and capture their attention with the basic concept of your book.

We’ve assembled a dynamic roster of top-tier agents to participate in our new MWW Agent Fest. We have two days of valuable sessions on how to write a query letter and a synopsis, what agents are looking for, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing – fiction or nonfiction – the sessions will help point you in the right direction. Writers of all genres are welcome.

Our Agent Fest is designed to squeeze as much into two days of learning as possible. You can ask any questions you like during the sessions, and get your specific concerns addressed. The literary agents will give feedback and take pitches from writers. Our faculty includes: (Read their bios & wish lists)

  • Noah Ballard (Curtis Brown, Ltd.)
  • Elizabeth Bewley (Sterling Lord Literistic)
  • Savannah Brooks (Jennifer De Chiara)
  • Brenna English-Loeb (Transatlantic Agency)
  • Joanna MacKenzie (Nelson Literary)
  • Devin Ross (New Leaf Literary)
  • JL Stermer (New Leaf Literary)

You’ll meet one-on-one with at least one agent and possibly two depending on the number of registrants. Each pitch lasts three minutes, composed of a 90-second pitch and a 90-second response from the agent with feedback.

By Saturday evening, you will have added more tools to help you move forward on your writing journey.

Secure your spot today. Register HERE.

New Board, New Vision

From the minutes of the 8 January, 2019 MWW Board meeting

  • Welcome to the new board members: Julie Tuttle Davis; Dianne Despain; Maria Williams-Hawkins; Lylanne Musselman, Marissa Rose; Angelia Stone; Larry Sweazy
  • Returning board members: Jeff Pearson, Kelsey Timmerman
  • Returning Executive Director: Jama Kehoe Bigger

Because Jeff has been acting as the interim board president, the board voted unanimously to retain him as the permanent board president. Kelsey Timmerman will continue in his position of treasurer. Dianne Despain was elected as board Secretary. Marissa Rose was elected as board vice president.

Re-positioning of MWW’s standing committee was addressed with the following results: The Finance/Fundraising/Grants committee will be chaired by Kelsey Timmerman. The Programs/Community Outreach Community will be chaired by Jama Bigger. The Board Governance and Recruitment Committee will be chaired by Jeff Pearson. The Public Relations/Marketing Committee will be co-chaired by Julie Tuttle Davis and Angelia Stone.

Two new committees were created: The Executive Committee to be chaired by Jeff Pearson and the Volunteer Committee to be chaired by Jama Bigger.

The Agent Fest, coming up May 10-11 was discussed, with prices set at $249.00 (early bird registration) and $299 after April 1. Six agents will be attending the pitch sessions. Look for more details in the weeks ahead. The summer conference, set for July 25-27, was also discussed and more information on that will be rolled out shortly.

Our new motto: New Board. New Vision. Exciting things are happening at MWW! Keep checking back to see what they are.

2019 MWW Programs

For 2019, Midwest Writers Workshop continues its mission to nurture aspiring and accomplished writers to improve their craft and achieve their publishing goals in a welcoming community.

If one of your goals for 2019 is to improve your writing, mark your calendar with these dates to start working on it: May 10 & 11, and July 25-27! Hit the ground running in 2019 with a clear plan all ready to go. MWW will help you with your goals.

You want agents. We’ve got agents.  So make plans to bring your pitch and query letters to our MWW Agent Fest, May 10-11, 2019. Registration available here!

You want to be a better writer. We’ve got authors to help. Come for three days to grow as writer and find your people, MWW19, July 25-27, 2019. We are bringing together top-notch authors and an industry professional to share their expertise with you. Thursday afternoon through Friday are sessions on craft, including fiction, mystery, YA, nonfiction & more! Then on Saturday, you can choose your all-day manuscript-makeover session according to your own interests, whether you want to hone your writing or learn more about career development. Saturday All-Day Sessions include your choice of five Manuscript Makeover Sessions or Author Platform and Career Development Bootcamp with Jane Friedman.

Registration for the MWW19 conference coming soon! Watch for upcoming E-pistles and social media posts for details!

 

 

Bookkeeping for Writers | MWW Ongoing Course

Bookkeeping for Writers Who Hate Numbers

Do you hate numbers? Is Bookkeeping Ugh?

If you answered YES, then this MWW Ongoing course is for you!

Writers are word people who usually hate numbers and bookkeeping, but regular bookkeeping is a guarantee of business success (Carol shows you the study to prove it). Author and accountant Carol Topp will share with you tips and tools to make record keeping easier. You don’t need complicated expensive software or a bookkeeper to be a successful writer. Carol will show you how real authors keep their records that are easy to maintain and delight their accountants.

In this course you will learn:

  • Bookkeeping hacks and tips
  • Free spreadsheets for easy record keeping
  • When to use software
  • What software choices are best for you
  • Specific challenges that face authors in their business record keeping (inventory, sales tax, etc.)
  • How to manage sales tax

This course is for writers who have started earning money from their work or book sales and need to learn how to keep their business records simply and easily so they can get back to writing! This is professional advice from a CPA and author at a great rate!

Format: Two instructional videos (about 30-45 minutes each) that you can watch on your own time, at your own convenience. Once you have registered, the entire course will be available to you until December 31, 2018, to access at any time you wish. Plus, downloadable pdfs of handouts of the PowerPoint slides.

Part One: 

  • How good records leads to business success
  • What information to record
  • Explanation of inventory tracking, tax deductions, bookkeeping hacks and tips
  • What software choices are best for you.

Part Two:

  • Specific challenges that face authors in their business record keeping
  • Inventory, sales, mileage, paying others
  • How to manage sales tax.

Students will have instant access to the videos (until December 31, 2018) once they register, as well as to a private Facebook group (MWW + Bookkeeping for Writers) or Facebook live session to ask questions of the presenter.

About the Instructor

Carol Topp, CPA is an author and Certified Public Accountant. Carol’s fourteen books have been both self-published and traditionally published. She advises writers on starting a business and running it successfully. She is the author of Business Tips and Taxes for Writers and contributing author to Writers Market and the Writer’s Digest Guide to Indie Publishing. Her website is TaxesForWriters.com

Register Today!

Click HERE to register. Cost: $80