Posts

News from agent Kathleen Ortiz

New Leaf Literary & Media

Great news: Joanna Stampfel-Volpe (MWW faculty in 2009) has opened up her own agency, and Kathleen Ortiz has joined her.

Formation of new agency

Kathleen Ortiz is the Subsidiary Rights Director and Literary Agent at New Leaf Literary & Media, Inc. On the children’s side, she is interested in acquiring all genres of YA (she especially gravitates to darker YA), but would specifically love a beautifully told story set within another culture (historical or modern, in the vein of Blood Diamond or Memoirs of a Geisha). She’s also looking for darker middle grade for older kids (especially in the vein of Labyrinth). On the adult side, she’s looking for lifestyle or technology non-fiction, as well as urban fantasy or paranormal romance. Please, no picture books, chapter books or adult books outside of romance.

She represents Jaime Reed’s Cambion Chronicles (Kensington), Dawn Rae Miller’s Larkstorm, Sarah Fine’s Sanctum (Marshall Cavendish / Oct ’12), who also writes as S.E. Fine for Scan (Putnam for Young Readers, coauthored with Walter Jury / Fall ’13), as well as Disney and Sony animator Dan Haring and Betty Crocker recipe writer Bree from BakedBree.com.

Find Kathleen on Twitter or visit her blog for more information or updates on the publishing industry.

Q & A with agent Kathleen Ortiz

Kathleen Ortiz, Subrights Director / Agent at Nancy Coffey Literary and Media Representation
Ortiz, KathleenQ:  If participants made an appointment with you, how should they prepare for their pitch session? 

ALWAYS come prepared with a 2-3 sentence pitch and a hard copy of the query. I stress that the pitch is ONLY 2-3 sentences and the query is the actual query they would send. Since the MWW pitch sessions are ten minutes, the first 5 pages are handy, as well. Come prepared with questions in case the project isn’t for me – I’m happy to spend the rest of the appointment giving advice/resources on how to pitch, send queries, do research, etc.

Q:  What are you looking for?

I’m only looking for YA or paranormal/urban fantasy romance at this time. No women’s fiction or other adult genres outside of romance. I like all YA, though the darker the better. I’d really like a YA horror, thriller, suspense, cyberpunk or intense mystery.

Q: What do you wish more writers knew?

Top three mistakes I see:

1.       Reading the entire query to me (it’s a pitch – 2-3 sentences)

2.       Arguing with me if I kindly state it’s not for me. You want someone who will be an advocate of your work – if it’s not for me, respect my decision and use the extra time to ask questions about the industry. Someone else WILL be an advocate for your work.

3.       Giving me a business card. I don’t keep them. If I ask for pages, it’s the author’s job to contact me not the other way around.

Q:  Will you accept someone pitching an uncompleted manuscript?

I prefer someone pitches me if the manuscript is completed.
Q:  Finally, if you do not represent what a participant writes but someone else in your agency does, would you ever pass the person on to that agent? 

If I’m pitched a Middle Grade, I will certainly refer it if it has potential. Otherwise, I prefer not to be pitched if it’s not something I rep.